Sunday, 27 October 2019

Avengers: Endgame

The film was announced in October 2014 as Avengers: Infinity War – Part 2, but Marvel later removed this title. The Russo brothers joined as directors in April 2015, with Markus and McFeely signing on to write the script a month later. The film serves as a conclusion to the story of the MCU up to that point, ending the story arcs for several main characters. Filming began in August 2017 at Pinewood Atlanta Studios in Fayette County, Georgia, shooting back-to-back with Infinity War, and ended in January 2018. Additional filming took place in the Metro and Downtown Atlanta areas, New York, Scotland, and England. The story revisits several moments from earlier films, bringing back actors and settings from throughout the franchise as well as music from previous films. The official title was revealed in December 2018. With an estimated budget of $356 million, it is one of the most expensive films ever made.
Avengers: Endgame was widely anticipated, and Disney backed the film with Marvel's largest marketing campaign. It premiered in Los Angeles on April 22, 2019, and was theatrically released in the United States on April 26. The film received praise for its direction, acting, musical score, action sequences, visual effects, and emotional weight, with critics lauding its culmination of the 22-film story. It grossed nearly $2.8 billion worldwide, surpassing Infinity War's entire theatrical run in just eleven days and breaking numerous box office records, including becoming the highest-grossing film of all time, overtaking 2009's Avatar.



Wednesday, 21 August 2019

How to Become a Fashion Designe




There is no formal education or certification required to become a successful fashion designer, but that doesn't make the feat any easier. To become a fashion designer, you will need to have a combination of drawing, sewing, and design skills, a knowledge of the fashion industry, and unparalleled perseverance. You'll also need to create a strong fashion portfolio and strengthen your knowledge of business and finance in general.




Honing Your Fashion Design Skills
Image titled Become a Fashion Designer Step 1


Develop your skills. Successful fashion designers have a wide array of skills, including drawing, an eye for color and texture, an ability to visualize concepts in three dimensions, and the mechanical skills involved in sewing and cutting all types of fabrics.[1]
Get excellent sewing tuition if you haven't already learned this skill well. Being able to sew difficult fabric under challenging situations will stand you in excellent stead throughout your career but you need to work at it - it's a skill that doesn't come easily to many people.
Understand how fabrics move, drape, breathe, react when worn, etc. Your in-depth knowledge of fabric is absolutely essential to using it properly when designing. Also know where to source materials from.
Learn from existing designers, not just who they are, but their backgrounds, their signature style, the learning that they undertook, where they studied. Knowing this will help you to be a better designer yourself, as you can borrow and build on their ideas.
Learn how to create storyboards and product ranges. Be good at researching trends and finding inspiration from social media, comparative shopping and trade shows.



Designer Step2

Learn more. If you can, it makes good sense to get a diploma or degree in fashion design or a related program. You'll learn a great deal, make excellent early contacts and have ample opportunity to show off your skills in a less judgmental environment (although still be prepared to be critiqued!) Do one (or both) of the following:
Get a degree in fashion design. Most programs are three or four years long. FIDM and Parsons are two of the most popular design schools in the United States. You will study drawing, color and composition, pattern-making, and draping.[2] In addition to learning practical skills like these, you will also be working with industry professionals who may serve as important contacts in the future and who can give you first-hand advice and feedback on your work.
Apply for an internship or apprenticeship. If school is not for you, or if you simply feel that real-world experience will be of more benefit to you, then find a fashion internship. You will need to have an impressive portfolio to apply and be willing to start at the bottom; interns are often given menial tasks like getting coffee. Again, the connections you make through your internship or apprenticeship will be vital as you pursue your career in fashion, and working with industry professionals will give you an opportunity to pick up important skills first-hand.


Designer Step 3

Decide which designing field is your principal interest. You may need to start at the bottom but you do need to have some goals in mind as to the type of designing you want to undertake lifelong. Are you interested most in haute couture, ready-to-wear, fitness/leisure gear, the mass market or niches such as eco wear? Each has advantages and disadvantages that you'll need to explore before reaching your final decision on which pathway to pursue. Within these major fields, you'll also need to decide on a few sub-set areas for your fashion design. You might wish to straddle a few but to begin with, don't over-extend yourself as it's better to perfect your designing within one area and then experiment when you've already got a good foothold in the industry.
For Women's daywear, women's evening wear
Men's daywear, men's evening wear
Boys' wear and/or girls' wear; teenage wear
Sportswear/fitness/leisure wear
Knitwear
Outdoor, adventure, outerwear
Bridal wear
Accessories
casual
Costume design for theaters, movies, the advertising industry and retailers.

Get inspiration from your competitors. Observe and note the fabric they are using; the zipper size they use (for their garments to be strong enough for its usage); fabric quality for its properties such as impermeability, comfort, breathability or care; colours that sells in your country. Starting from your competitors qualities is not copying: it's observation. With taking the best of every pieces and analyzing it, you will understand what makes a "favorite" piece of clothing. They are usually best sellers. Your customers (whether they are buyers for stores or regular people) want something that looks good on them in the first place. Extravagant pieces are worn only a few days a year, they're great, but they may not bring you a salary to live with.

Plan some key pieces. What is your absolute strength in designing? Perhaps you're a whizz at accessories or a genius with yoga pants. Your passion and skill are an important first part of the equation. Of course, the second part is matching this to what the market wants, which in fashion, is part convincing the market and part noticing what the market is demanding.

Deciding if the Fashion Industry is Ready for You

Assess your skills and personality honestly before pursuing a career in fashion design. You may love clothes but clothing is only part of the story when undertaking fashion design. You'll also need excellent communication skills, a willingness to work very hard (often 24/7), a tough hide when criticized, an ability to cope with stress, openness to having many different clients and/or bosses, an acceptance that there will be loneliness or isolation on occasion (depending on how you set up your design business or career) and an ability to be a self-disciplined self-starter.
Being a fashion designer is probably for you if: You want to devote your life to this career (it's your "vocation"), you don't mind uncertainty or insecurity, you are willing to stand up for what you believe in, you have distinct ideas about what is important in fashion, you listen to clients well, you know the fashion industry inside out and you live, eat and breathe fashion.
Being a fashion designer is probably not for you if: You can't manage stress well, you don't like uncertainty or instability, you want a career without too many highs or lows, you need other people to praise your efforts, you need a lot of guidance, you hate being financially unstable and you have too many other interests in life.

Setting Yourself Up for Success


Get educated about the business side of fashion. Being a successful fashion designer not only requires talent and creativity, it also requires a sound knowledge of the business and marketing aspects of the fashion world. Keep yourself updated on the happenings in the fashion industry by regularly reading trade journals like Women's Wear Daily and Daily News Record.
Many fashion design programs include courses in marketing. Some programs/majors highlight marketing more than others, so be sure to do ample research on the coursework involved in the program you choose. If you've already undertaken a course but missed the marketing/financial side of things, consider doing short courses in these aspects of business.
Learn beyond design. There is an entire supply chain involved in the fashion industry and you need to understand what each person's job is, so that you can see things from their perspective too, in order to make compromises, meet demands and understand where things get held up. Research what others do, such as buyers, merchandisers, pattern cutters, garment and fabric technologists, quality controllers, graders, sample machinists, sales people, PR and marketing people, fashion journalists, retailers, event organizers, fashion stylists and so forth.
Know your customer. This skill is basic and essential and it's one a fashion designer must never lose sight of. Know how much your customers spend, what their lifestyles are, where they like to shop, how they like to shop and what they like and dislike. Know what are absolute needs and what are the things that only get bought when disposable incomes are less tight. If you have done marketing, you should have a solid understanding of how to work out customers' needs.
Know your competitors. Always keep an eye on what other fashion designers in your area of interest are doing. At a minimum, keep up. Better still, surpass them while still meeting your customers' needs.
Trade fairs are an excellent place to develop deeper understanding of how the fashion industry works and what will work for you in terms of meeting customer needs and staying competitive.



Look for fashion design jobs. There are various ways to find work in the fashion industry as a designer and it depends on the type of designing you're interested in. In some cases, being versatile will help you a great deal, just so that you get the experience and then jump across to your real passion later. And in most cases, you'll need to be persistent and apply to many different places to get your foot in the door. For starters, some places to apply to include:
Existing fashion houses and designers - look for internships, entry-level paid positions, assistants to designers, etc.
Costume positions with movie studios, theaters, costume stores, etc.
Online advertisements through various online job agencies
Word of mouth––use your college or fashion industry contacts to get you through the door. In an industry that values what people who already are well positioned have to say, this is a good way to get started.


If running your own design business, be prepared to be financially astute. You may be exceptionally creative but be absolutely certain that if you run your own fashion label, you need to be business savvy. You do need to understand those numbers and the invoices that keep piling up on your table. If you really hate this stuff, there are good options, such as asking your accountant to take care of all things financial but it still pays to keep on top of the whole thing yourself. And if you really, really hate this side of it, look for work as a fashion designer with a fashion house instead of running your own label.[6]
What type of trader will you be? There are many possibilities, including sole trader, partnership, incorporated company, etc. Each has distinct advantages and disadvantages that you should discuss with your legal and financial advisers before proceeding. Be sure that you are covered for liability in all circumstances, especially if you're in a particularly litigious culture.

Be realistic. You may need to be willing to move to match your market but that depends on how you work and sell. Being realistic means recognizing that it's pointless trying to sell a lot of haute couture to people who only want career clothing in a semi-rural town while it's no good trying to sell bikini to the Inuit. You'll need to focus on where your market is most likely to be and either work out whether it's best for you to live and work in that same area or how to get the distribution from your current area to the place where it's most likely to sell.
Take into consideration the influences around you. As a creative person, part of your creative process is being around like people and sparking off their ideas and suggestions too. It's a lot harder to do this alone or working alongside people who aren't into your fashion approaches.
Remember too that seasonality impacts fashion designing and may have an impact on the type of clothing you're producing and where you wish to sell it.
Consider the power of online selling. Provided you use good quality three dimensional images that can be zoomed and turned, selling your fashion online to anywhere in the world is another realistic possibility nowadays. This allows you greater flexibility in where you'll live and design and can reduce the daily commute to zero. This may be ideal if you plan on staying a small fashion label. Even then however, you should still make allowances for traveling to major fashion shows.
Living in a city with a thriving fashion industry makes good sense for many designers. According to the Global Language Monitor (GLM), the following cities were the top fashion capitals of the world in 2012, in descending order:[7]
London, England
New York, US
Barcelona, Spain
Paris, France
Mexico City
Madrid, Spain
Rome, Italy
Sao Palo, Brazil
Milan, Italy
Los Angeles, US
Berlin, Germany.
Mumbai, India

Wednesday, 29 May 2019

Plane makes emergency landing in UAE after Indian man dies mid-air

Plane makes emergency landing in UAE after Indian man dies
An Alitalia flight made an emergency landing on Tuesday. (Photo: Reuters)

HIGHLIGHTS

  • The flight made an emergencyon an Etihad flight, Embassy counsellor said
An Alitalia New Delhi-Milan flight made an emergency landing in the United Arab Emirates (UAE) following the death of an Indian man onboard the flight, Indian Embassy officials said.
The victim Kailash Chandra Saini, 52, from Rajasthan, was accompanied by his 26-year-old son Heera Lal, reports the Khaleej Times.
"The flight made an emergency landing (at the Abu Dhabi International Airport) on Monday night. The body was taken to Mafraq Hospital. The formalities have been completed. The death certificate was issued on Tuesday. The body will be repatriated on an Etihad flight, hopefully by Wednesday morning," Embassy counsellor M. Rajamurugan said on Tuesday.

Pakistan extends airspace closure on Indian border till June 14


The closure of Pakistan airspace has mainly affects flights from Europe to Southeast Asia. (File photo: Reuters)

HIGHLIGHTS

  • Pakistan-based terror outfit JeM carried out the deadly Pulwama attack on a CRPF convoy on Feb 14
  • In retaliation to Pulama attack, India conducted the Balakot airstrike destructing a JeM training camp
  • The Balakot airtsrike led to an aerial dogfight between India and Pakistan after which the latter closed its airspace
Pakistani airspace on its eastern border with India will remain closed until June 14, a civil aviation official said on Wednesday, the latest extension months after a standoff between the arch-rivals.
"We don't expect the ban to be lifted anytime soon. It may take a while," an official said on condition of anonymity.
Pakistan closed its airspace in February after IAF carried out Balakot airstrike following the deadly Pulwama attack by Pakistan-based terror outfit JeM on a CRPF convoy.
As a result of the ban, foreign carriers using Indian airspace have been forced to take costly detours because they cannot fly over Pakistan. The closure mainly affects flights from Europe to Southeast Asia. The flights from US and Europe flying in and out of New Delhi were worst hit.
Pakistan and Indian airspace as seen on May 29. (Source: www.flightradar24.com)
National carrier Air India has long haul (14-16 hours) flights to New York, Newark, Chicago, Washington and San Francisco. Due to the airspace closure, flights from Delhi are being routed through Omani and Iranian airspace. The change in route means more fuel burn, added time and more manpower service.
It is believed that due to the change in route have the national carrier Air India have suffered a major loss.
"We would not want to comment on this. It's a diplomatic matter," an Air India spokesperson told India Today TV..
Former Executive Director Air India Jitendra Bhargava said extension of air space closure by Pakistan was expected.
"Pakistan is unlikely to open the airspace unilaterally. Considering its importance for Indian carriers, Pakistan will like to make it a part of a package that leads to talks and normilisation of relations," Jitendra Bhargava said.

Tuesday, 28 May 2019

North Macedonia to hold first-ever pride parade in June 2019

People with Macedonian flag and the Rainbow flags in front of government of Republic of North Macedonia
Activists protest for LGBTQ+ rights at the March of Tolerance 15 Nov 2014 in Skopje, the capital of North Macedonia. Photo by Coalition Margins, used with permission.
The LGBTQ+ community in North Macedonia announced the country will hold its first pride parade ever on June 29, 2019, in the capital Skopje.
North Macedonia will join a group of Balkan countries that have recently announced or held their first gay pride parades. Earlier this month, Bosnia and Herzegovina said it'll hold its first pride march in September 2019, while Kosovo held its second-ever march in October 2018.
North Macedonia's march was made public by the National Network on Fight Against Homophobia and Transphobia in a press conference on May 20. Irena Cvetkovic, an activist with the group, said:
A very difficult period has passed for the LGBT community and we consider that now is the moment for a Pride Parade, because we passed the worst. North Macedonia is the last country in the region that organizes a Pride Parade.
Cvetkovic was referring to the 2006-2017 rule of the conservative VMRO-DPMNE party, a period when homophobic violence was markedly tolerated by government officials
During the 11-year period, Skopje witnessed a spate of violent attacks against LGBTQ+ organizations and people, and right-wing politicians and pro-government media were openly hostile to this population.

Business behind surender of 'extremists'


The 80 'extremists' of Joypurhat who surrendered at an event in the presence of the home minister Asaduzzaman Khan in Pabna in April 2019, are evidently not extremists at all. 
Of these 80, at least seven were sentenced to death and were either imprisoned or absconding, a Prothom Alo investigation shows. 
There were also criminals and drug traders among these so-called extremists.
Of the 80 'extremists', 22 belonged to Bangladesh Nationalist Party (BNP) or its youth front Jatiyatabadi Chhatra Dal (JCD) or its student wing Jatiyatabadi Chhatra Dal (JCD) and the rest were from ruling Awami League's youth front Jubo League and its affiliated organisation Swechchhasebak League, according to the investigation.
They only pretended to be extremists so that they could be exempted from their charges and get financial incentives from the government, said local policemen and political leaders.

The 80 'extremists' of Joypurhat along with 515 others from 14 districts surrendered on 9 April 2019.
The government has provided Tk 100,000 as incentive to every person who surrendered and Tk 1 million to every ringleader.
A total of 16 ringleaders led the surrender programme. Ramzan Ali was the leader of Joypurhat. He is also joint general secretary of Swechchhasebak League of the district unit. He is facing several cases.
Nandalal Parshi, a district committee member of Joypurhat Awami League, told Prothom Alo that he also submitted the names of some local youth to Ramzan Ali so that the charges against them would be dropped and that they could also receive money from the government.
The members of an intelligence agency were also involved in preparing the list, but there was no extremist in Joypourhat, he added. 
Ramzan Ali, however, made no comment when contacted.
Ramzan's brother Selim Babu is on the list of these 'extremists'. He said, "Many young men pretended to be extremists just to be exempted from charges against them. So what is wrong with my name being included too?"
Romanur Rahman is a member of district Jubo League. He told Prothom Alo that he submitted names as advised by Ramzan Alo and Nandalal Parshi. 
The entire list is fake, said Romanur.
Two persons on the list are not even facing any charges. One of them is Mukta Biswas, nephew of Nandalal Parshi and other is Nuruzzaman Babu, an activist of Swechchhasebak League.
About Mukta, Nandalal said his nephew was kept on the list as he is a friend of Ramzan.
Nuruzzaman Babu said, "I agreed to surrender as my leader Ramzan told me that the government will give me Tk 100,000. I'm badly in need of the money."
Pabna's additional superintendent of police Gautam Kumar Biswas told Prothom Alo that they freed all who surrendered. News of the planned surrender event surfaced in the media in early April, an intelligence agency reportedly being behind the plan.
A top police official said the list of 'extremists' was supposed to be prepared by the police. However, they did nothing but sign some papers, he added.
Superintendent of police of Joypurhat, Rashidul Hasan, told Prothom Alo, "As far we know, there is no extremist in Joypurhat. Despite that, we received a list of 71 extremists which was sent to Pabna."
But several police officers said that the list was made later, including nine more names. Then the death row convicts were added too.
The Joypurhat police officers also said that the first list did not include names of the seven death row convicts. The convicts are Sadar upazila's Bambu union's Wazed Ali, Abu Hassan (Wazed's son), Mahir Uddin, Chaitanya, Safadul Islam, Anisur Rahman and Mantu Miah.
A lower court sentenced the seven people to death over Jubo League leader Abdul Matin's murder.
Wazed Ali's son Jewel Rana said, "I don't know whether my father was an extremist or not."
Another person, Mahbub Ali, who was sentenced to life imprisonment in the same case, said, "There are several cases against us. Ruling party leaders told us to surrender pretending to be extremists. And so we did."
According to police documents, at least six people of the list are terrorists and drug traders. Of them, Ismail Hossain is facing 17 cases.
Former law minister Shafique Ahmed told Prothom Alo that only the court has the authority to exempt, suspend or cancel one's conviction.
Home minister Asaduzzaman Khan told Prothom Alo, "The police did not prepare the list. I was just present during the surrender event as chief guest." 
The minister also said that he does not know anything about the process the list was made but assured that anyone facing charges would only be exempted thorugh legal means

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āĻĒāϰীāĻ•্āώা āĻ•āĻŦে āĻšāĻŦে—āĻ āύি⧟ে āĻ‰ā§ŽāĻ•āĻŖ্āĻ া⧟ āφāĻ›েāύ āĻĒ্āϰাāϰ্āĻĨীāϰা। āϤাঁāϰা āϜাāύাāύ, āϏাāϤ āĻŽাāϏ āφāĻ—ে āϏāϰāĻ•াāϰি āĻŽাāϧ্āϝāĻŽিāĻ• āĻŦিāĻĻ্āϝাāϞ⧟েāϰ āϏāĻšāĻ•াāϰী āĻļিāĻ•্āώāĻ• āύি⧟োāĻ—েāϰ āφāĻŦেāĻĻāύ āύেāĻ“ā§Ÿা āĻšā§ŸেāĻ›ে। āĻāĻ–āύো āĻĒāϰীāĻ•্āώাāϰ āϤাāϰিāĻ– āϘোāώāĻŖা āĻ•āϰেāύি āĻĒিāĻāϏāϏি। āϤাāχ āĻļিāĻ—āĻ—িāϰāχ āĻĒāϰীāĻ•্āώাāϰ āϤাāϰিāĻ–েāϰ āϘোāώāĻŖা āϚাāύ āϤাঁāϰা।
āĻ āĻŦিāώ⧟ে āϜাāύāϤে āϚাāχāϞে āĻĒিāĻāϏāϏিāϰ āϚে⧟াāϰāĻŽ্āϝাāύ āĻŽোāĻšāĻŽ্āĻŽāĻĻ āϏাāĻĻিāĻ• āĻĒ্āϰāĻĨāĻŽ āφāϞোāĻ•ে āĻŦāϞেāύ, āĻŦিāĻ­িāύ্āύ āĻŦিāϏিāĻāϏ āĻ“ āϏিāύি⧟āϰ āϏ্āĻ•েāϞ āĻĒāϰীāĻ•্āώা āĻāĻŦং āύāύ–āĻ•্āϝাāĻĄাāϰ āύি⧟োāĻ— āύি⧟ে āĻŦ্āϝāϏ্āϤ āϏāĻŽā§Ÿ āĻĒাāϰ āĻ•āϰāĻ›ে āĻĒিāĻāϏāϏি। āĻŽাāϧ্āϝāĻŽিāĻ•েāϰ āĻļিāĻ•্āώāĻ• āύি⧟োāĻ—ে āĻĒ্āϰা⧟ ⧍ āϞাāĻ– ā§Šā§Ģ āĻšাāϜাāϰ āĻĒ্āϰাāϰ্āĻĨী āφāĻŦেāĻĻāύ āĻ•āϰেāĻ›েāύ। āĻŦিāĻĒāϰীāϤে āĻĒāĻĻ āφāĻ›ে ā§§ āĻšাāϜাāϰ ā§Šā§­ā§Ž। āϤাঁāĻĻেāϰ āĻĒāϰীāĻ•্āώা āφāĻ—াāĻŽী āϜুāύেāϰ āĻļেāώ āĻĻিāĻ•ে āύেāĻ“ā§Ÿাāϰ āϚেāώ্āϟা āĻ•āϰা āĻšāϚ্āĻ›ে। āϏāĻŦāĻ•িāĻ›ু āĻ িāĻ• āĻĨাāĻ•āϞে āĻāχ āϏāĻŽā§Ÿেāχ āĻĒāϰীāĻ•্āώা āĻšāĻŦে।
āύি⧟োāĻ— āĻŦিāϜ্āĻžāĻĒ্āϤি āĻ…āύুāϏাāϰে āĻŦাংāϞা⧟ ā§Šā§Ŧā§Ģ āϜāύ, āĻ—āĻŖিāϤে ⧍ā§Ļā§Ģ āϜāύ, āϜীāĻŦāĻŦিāϜ্āĻžাāύ ā§§ā§§ā§Ž āϜāύ, āχংāϰেāϜিāϤে ā§§ā§Ļā§Ŧ āϜāύ, āϧāϰ্āĻŽে ⧧⧭⧍ āϜāύ, āϏাāĻŽাāϜিāĻ• āĻŦিāϜ্āĻžাāύে ā§Žā§Š āϜāύ, āĻ­ৌāϤāĻŦিāϜ্āĻžাāύে ā§§ā§Ļ āϜāύ, āĻŦ্āϝāĻŦāϏা⧟ āĻļিāĻ•্āώা⧟ ā§Ž āϜāύ, āĻ­ূāĻ—োāϞে ā§Ģā§Ē āϜāύ, āϚাāϰুāĻ•āϞা⧟ ⧝⧍ āϜāύ, āĻļাāϰীāϰিāĻ• āĻļিāĻ•্āώা⧟ ā§¯ā§Š āϜāύ āĻāĻŦং āĻ•ৃāώিāĻļিāĻ•্āώা⧟ ⧭⧍ āϜāύ āϏāĻšāĻ•াāϰী āĻļিāĻ•্āώāĻ• āύি⧟োāĻ— āĻĻেāĻ“ā§Ÿা āĻšāĻŦে।

āϝে āĻ•াāϰāĻŖে āĻĒ্āϰāϏ্āϤুāϤি āĻŽ্āϝাāϚে āĻšাāϰāϤে āϚাāύ āĻŽাāĻļāϰাāĻĢি

āĻŦাংāϞাāĻĻেāĻļেāϰ āĻ…āϧিāύা⧟āĻ• āĻŽāύে āĻ•āϰেāύ, āĻĒ্āϰāϏ্āϤুāϤি āĻŽ্āϝাāϚে āĻšাāϰāϞে āύিāϜেāĻĻেāϰ āĻ­ুāϞāĻ—ুāϞো āĻ–ুāĻŦ āĻ­াāϞোāĻ­াāĻŦে āϚোāĻ–ে āĻĒ⧜ে, āφāϏāϞ āĻŽ্āϝাāϚেāϰ āϝেāϟা āĻļুāϧāϰে āύেāĻ“ā§Ÿা āϝা⧟।
āĻŽাāĻļāϰাāĻĢি āĻŦিāύ āĻŽুāϰ্āϤāϜা āĻ•ী ‘āϜিāύিāϏ’, āĻāχ āĻ•āĻĻিāύে āĻŦুāĻে āĻ—েāĻ›েāύ āχংāϞ্āϝাāύ্āĻĄ āĻ“ āĻ“ā§ŸেāϞāϏেāϰ āύিāϰাāĻĒāϤ্āϤাāĻ•āϰ্āĻŽীāϰা! āĻ•াāϞ āϏāĻ•াāϞে āϝেāĻŽāύ āφāĻ•āϏুāϰ (āĻĻুāϰ্āύীāϤি āĻĻāĻŽāύ āχāωāύিāϟ) āĻāĻ• āĻ•āϰ্āĻŽāĻ•āϰ্āϤা āϏোāĻĢি⧟া āĻ—াāϰ্āĻĄেāύে āĻāϏেāχ āϜ⧜ি⧟ে āϧāϰāϞেāύ āĻŦাংāϞাāĻĻেāĻļ āĻ…āϧিāύা⧟āĻ•āĻ•ে। āφāĻ•āϏুāϰ āĻ“āχ āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāϰ āϏāĻ™্āĻ—ে āϝāĻ–āύ āĻ াāϟ্āϟা-āϰāϏিāĻ•āϤা⧟ āĻŽেāϤে āωāĻ েāĻ›েāύ āĻŽাāĻļāϰাāĻĢি, āĻ“āĻĒāϰ āĻĨেāĻ•ে āϏিঁ⧜ি āĻŦে⧟ে āύেāĻŽে āĻāϞেāύ āĻāĻ• āύাāϰী āύিāϰাāĻĒāϤ্āϤাāĻ•āϰ্āĻŽী। āĻ…āϧিāύা⧟āĻ• āφāĻ•āϏুāϰ āĻ•āϰ্āϤাāĻ•ে āϏাāĻŦāϧাāύ āĻ•āϰāϞেāύ, ‘āφāĻŽাāĻ•ে āϝেāĻ­াāĻŦে āϜ⧜ি⧟ে āϧāϰāϞে, āĻ“āĻ•ে āφāĻŦাāϰ āĻāĻ•āχāĻ­াāĻŦে āϧোāϰো āύা!’
āĻļুāύে āφāĻ•āϏু āĻ•āϰ্āϤা āĻšেāϏেāχ āĻŦাঁāϚেāύ āύা! āĻ…āĻĨāϚ āφāĻ•āϏু āĻļāĻŦ্āĻĻāϟা āĻļুāύāϞেāχ āĻāĻ–āύ āĻ•্āϰিāĻ•েāϟাāϰāϰা āĻ•েāύ āϝেāύ āĻļāĻ•্āϤ āĻšā§Ÿে āϝাāύ। āϝāϤāχ āĻ¸ā§Ž āĻĨাāĻ•ুāύ, āϘা⧜েāϰ āĻ•াāĻ›ে āĻŦāύ্āĻĻুāĻ•েāϰ āύāϞ āϤাāĻ• āĻ•āϰা āĻĨাāĻ•āϞে āĻāĻ•āϟু āϭ⧟ āĻ•াāϜ āĻ•āϰāĻŦেāχ। āĻŽাāĻļāϰাāĻĢিāϰ āĻ•াāĻ›ে āφāĻ•āϏু āĻ•িংāĻŦা āĻĒাāĻĨুāϰে āĻŽুāĻ–েāϰ āύিāϰাāĻĒāϤ্āϤাāĻ•āϰ্āĻŽী-āĻ•িāĻ›ুāχ āĻ­ীāϤিāĻ•āϰ āύ⧟। āĻŦাংāϞাāĻĻেāĻļেāϰ āϏাংāĻŦাāĻĻিāĻ•āĻĻেāϰ āĻĻেāĻ–ি⧟ে āϝেāĻŽāύ āύিāϰাāĻĒāϤ্āϤাāĻ•āϰ্āĻŽীāĻĻেāϰ āϏāĻ™্āĻ—ে āϰāϏিāĻ•āϤা āĻ•āϰেāύ, ‘āĻĻে āφāϰ āĻŦ্āϝাāĻĄ āĻ—াāχāϜ, āĻšাāϰ্āĻŽāĻĢুāϞ āĻĢāϰ āφāϏ! āĻ•িāĻĒ āφāχāϏ āĻ…āύ āĻĻেāĻŽ।’ āĻŽাāĻļāϰাāĻĢিāϰ āĻ•āĻĨা āĻļুāύে āύিāϰাāĻĒāϤ্āϤাāĻ•āϰ্āĻŽীāϰা āĻļুāϧু āĻšো āĻšো āĻ•āϰে āĻšাāϏেāύ। āĻŦাংāϞাāĻĻেāĻļ āĻ“ā§ŸাāύāĻĄে āĻ…āϧিāύা⧟āĻ•েāϰ āύিāϰ্āĻ­াāϰ āϚেāĻšাāϰাāϟা āĻĻেāĻ–ে āĻŦোāĻাāϰ āωāĻĒা⧟ āύেāχ, āφāϜ āĻ­াāϰāϤেāϰ āĻŦিāĻĒāĻ•্āώে āĻāĻ•āϟা āĻŽ্āϝাāϚ āĻ–েāϞāϤে āύাāĻŽāĻŦে āĻŦাংāϞাāĻĻেāĻļ। āĻ…āĻŦāĻļ্āϝ āĻŽ্āϝাāϚāϟা āĻļুāϧুāχ āĻĒ্āϰāϏ্āϤুāϤি āύেāĻ“ā§Ÿাāϰ। āĻŽাāĻļāϰাāĻĢি āĻšā§ŸāϤো āĻŦāϞāĻŦেāύ, āĻ āĻŽ্āϝাāϚ āύি⧟ে āĻāϤ āϏিāϰি⧟াāϏ āĻšāĻ“ā§Ÿাāϰ āĻ•ী āφāĻ›ে?
āĻĒ্āϰāϏ্āϤুāϤি āĻŽ্āϝাāϚ āύি⧟ে āϤিāύি āĻ•āĻ–āύোāχ āϏিāϰি⧟াāϏ āύāύ, āĻŦāϰং āĻāĻ•āϟা āϏংāϏ্āĻ•াāϰ āϞাāϞāύ āĻ•āϰāĻ›েāύ āĻĻীāϰ্āϘāĻĻিāύ। āĻŽাāĻļāϰাāĻĢি āĻĒ্āϰāϏ্āϤুāϤি āĻŽ্āϝাāϚ āĻšাāϰāϤেāχ āϚাāύ! āĻ•েāύ āϚাāύ, āϏেāϟিāϰ āĻĻুāϟি āϝুāĻ•্āϤি āφāĻ›ে āϤাঁāϰ āĻ•াāĻ›ে। āĻĒ্āϰāĻĨāĻŽāϤ, āĻšাāϰāϞে āύিāϜেāĻĻেāϰ āĻ­ুāϞāĻ—ুāϞো āĻ–ুāĻŦ āĻ­াāϞোāĻ­াāĻŦে āϚোāĻ–ে āĻĒ⧜ে, āφāϏāϞ āĻŽ্āϝাāϚেāϰ āφāĻ—ে āϝেāϟা āĻļুāϧāϰে āύেāĻ“ā§Ÿা āϝা⧟। āĻĻ্āĻŦিāϤী⧟āϤ, āĻŽাāύāϏিāĻ• āϜ⧜āϤা āĻ•েāϟে āϝা⧟। āφāϰেāĻ•āĻ­াāĻŦে āĻŦāϞāϞে, ‘āĻ•ুāĻĢা’ āĻ•েāϟে āϝা⧟!
āĻ…āύুāĻļীāϞāύেāϰ āĻĢাঁāĻ•ে āĻĄ্āϰেāϏিংāϰুāĻŽেāϰ āύিāϚে āĻĻাঁ⧜ি⧟ে āĻŽাāĻļāϰাāĻĢি āĻŽāύে āĻ•āϰি⧟ে āĻĻেāύ ⧍ā§Ļā§§ā§Ģ āĻŦিāĻļ্āĻŦāĻ•াāĻĒেāϰ āĻ•āĻĨা। āĻŦ্āϰিāϏāĻŦেāύে āĻĒ্āϰা⧟ āĻĻুāχ āϏāĻĒ্āϤাāĻš āĻĒ্āϰāϏ্āϤুāϤি āĻ•্āϝাāĻŽ্āĻĒেāϰ āĻĒāϰ āĻŦাংāϞাāĻĻেāĻļ āϟাāύা āϚাāϰāϟা āĻĒ্āϰāϏ্āϤুāϤি āĻŽ্āϝাāϚ āĻšেāϰেāĻ›িāϞ। āĻŦাংāϞাāĻĻেāĻļāĻ•ে āϤাāχ āĻŦিāĻļ্āĻŦāĻ•াāĻĒ āĻļুāϰু āĻ•āϰāϤে āĻšā§ŸেāĻ›িāϞ āϟাāύা āĻšাāϰেāϰ āϝāύ্āϤ্āϰāĻŖা āύি⧟ে। ‘āϟাāύা āĻšেāϰেāĻ›িāϞাāĻŽ āĻŦāϞে āĻ…āύেāĻ• āĻ•āĻĨা āωāĻ েāĻ›িāϞ। āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰāĻŦেāύ āĻ•ি āύা āϜাāύি āύা, āφāĻŽি āĻ–ুāĻŦ āĻ–ুāĻļি āĻšā§ŸেāĻ›িāϞাāĻŽ! āĻĒ্āϰāϏ্āϤুāϤি āĻŽ্āϝাāϚ āĻšেāϰেāĻ›িāϞাāĻŽ āĻŦāϞেāχ āϤো āĻŦিāĻļ্āĻŦāĻ•াāĻĒāϟা āĻ­াāϞো āĻ–েāϞেāĻ›িāϞাāĻŽ!’ -āĻŽাāĻļāϰাāĻĢি āĻĢিāϰে āϝাāύ āϚাāϰ āĻŦāĻ›āϰ āφāĻ—ে।
āĻāχ āχংāϞ্āϝাāύ্āĻĄে ⧍ā§Ļā§§ā§­ āϚ্āϝাāĻŽ্āĻĒি⧟āύāϏ āϟ্āϰāĻĢিāϤেāĻ“ āĻŦাংāϞাāĻĻেāĻļ āĻ­াāϰāϤ-āĻĒাāĻ•িāϏ্āϤাāύেāϰ āĻŦিāĻĒāĻ•্āώে āĻĻুāϟি āĻĒ্āϰāϏ্āϤুāϤি āĻŽ্āϝাāϚāχ āĻšেāϰেāĻ›িāϞ। āĻāĻŦাāϰ āĻ…āĻŦāĻļ্āϝ āĻ•āĻŽāχ āĻĒ্āϰāϏ্āϤুāϤি āĻŽ্āϝাāϚ āĻ–েāϞāĻ›ে āĻŦাংāϞাāĻĻেāĻļ। āĻĒাāĻ•িāϏ্āϤাāύেāϰ āĻŦিāĻĒāĻ•্āώে āĻŽ্āϝাāϚāϟা āĻŦৃāώ্āϟিāϤে āĻ­েāϏে āĻ—েāĻ›ে। āφāϜ āĻ•াāϰ্āĻĄিāĻĢে āĻ­াāϰāϤেāϰ āĻŦিāĻĒāĻ•্āώে āĻŽ্āϝাāϚেāϰ āĻĒāϰ āĻļুāϰু āĻšāĻŦে āϤাāĻĻেāϰ āĻŦিāĻļ্āĻŦāĻ•াāĻĒ āĻ…āĻ­িāϝাāύ। āĻŽাāĻļāϰাāĻĢি āĻ…āĻŦāĻļ্āϝ āĻāϤ āĻĒ্āϰāϏ্āϤুāϤি āĻŽ্āϝাāϚ āĻ–েāϞাāϰ āĻĒ্āϰ⧟োāϜāύী⧟āϤাāĻ“ āĻĻেāĻ–েāύ āύা, ‘āĻĒাঁāϚāϟা āφāύ্āϤāϰ্āϜাāϤিāĻ• āĻŽ্āϝাāϚ āĻ–েāϞাāϰ āĻĒāϰ āĻĒ্āϰāϏ্āϤুāϤি āĻŽ্āϝাāϚ āύা āĻ–েāϞāϞেāĻ“ āϚāϞে। āĻš্āϝাঁ, āĻ•োāϚেāϰ āϜāύ্āϝ āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ। āϤিāύি āĻ•িāĻ›ু āĻ–েāϞো⧟া⧜āĻ•ে āĻĻেāĻ–āϤে āϚাāύ। āĻ•ā§ŸেāĻ•āϟি āĻĒāϜিāĻļāύ āύি⧟ে āφāϰāĻ“ āύিāĻļ্āϚিāϤ āĻšāϤে āϚাāύ। āϤাঁāϰ āĻĻৃāώ্āϟিāĻ•োāĻŖ āĻĨেāĻ•ে āĻĒ্āϰāϏ্āϤুāϤি āĻŽ্āϝাāϚ āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ। āĻ•িāύ্āϤু āĻ–েāϞো⧟া⧜েāϰা āϤো āϟাāύা āĻ–েāϞাāϰ āĻŽāϧ্āϝেāχ āφāĻ›ে। āϜাāύেāύ, āϤ্āϰিāĻĻেāĻļী⧟ āϏিāϰিāϜেāϰ āĻĢাāχāύাāϞে āĻŦাāϰāĻŦাāϰ āĻŦৃāώ্āϟিāϤে āĻŽ্āϝাāϚ āĻĒেāĻ›াāϚ্āĻ›িāϞ āĻŦāϞে āĻ“ā§ŸেāϏ্āϟ āχāύ্āĻĄিāϜ āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻ…āύেāĻ• āĻ–েāϞো⧟া⧜āĻ•ে āĻŽাāĻ েāχ āύাāĻŽাāϤে āϚা⧟āύি। āϝāĻĻি āϚোāϟে āĻĒ⧜ে āϝা⧟ āĻ•েāω! āϚোāϟে āĻĒ⧜াāϰ āφāĻļāĻ™্āĻ•া āϤো āφāĻŽাāĻĻেāϰāĻ“ āĻ›িāϞ।’
āĻŽাāĻļāϰাāĻĢিāϰ āĻ•াāĻ›ে āĻāĻ–āύ āĻŽাāύāϏিāĻ•āĻ­াāĻŦে āϚিāύ্āϤাāĻŽুāĻ•্āϤ āφāϰ āĻļāϤāĻ­াāĻ— āĻĢিāϟ āĻĨাāĻ•াāϟাāχ āĻŦ⧜ āϟāύিāĻ•। āϤাāχ āĻŦāϞে āφāϜ āĻ­াāϰāϤেāϰ āĻŦিāĻĒāĻ•্āώে āĻŦাংāϞাāĻĻেāĻļ āĻšাāϰāϤে āĻŽাāĻ ে āύাāĻŽāĻŦে? āϝে āĻŽ্āϝাāϚāχ āĻšোāĻ•, āĻšাāϰāϤে āĻ•োāύো āĻĻāϞ āĻ–েāϞāϤে āύাāĻŽে āύা। āĻŽাāĻļāϰাāĻĢিāϰাāĻ“ āύাāĻŽāĻŦেāύ āύা। āϤāĻŦে āĻš্āϝাঁ, āϚাāĻĒāĻŽুāĻ•্āϤ āĻšā§Ÿে āĻ–েāϞāĻŦেāύ। āϝে āĻŽ্āϝাāϚে āϜ⧟-āĻĒāϰাāϜ⧟েāϰ āĻ—ুāϰুāϤ্āĻŦ āύেāχ, āϏেāϟিāϤে āφāĻŦাāϰ āϚাāĻĒ āĻ•ী!

āϝুāĻ•্āϤāϰাāϜ্āϝে āĻŦিāϚ্āĻ›েāĻĻāĻĒāύ্āĻĨীāĻĻেāϰ āϜ⧟āϜ⧟āĻ•াāϰ

āχāωāϰোāĻĒী⧟ āχāωāύি⧟āύেāϰ (āχāχāω) āĻĒাāϰ্āϞাāĻŽেāύ্āϟāχāωāϰোāĻĒী⧟ āχāωāύি⧟āύেāϰ (āχāχāω) āĻĒাāϰ্āϞাāĻŽেāύ্āϟāχāωāϰোāĻĒী⧟ āχāωāύি⧟āύ (āχāχāω) āĻĨেāĻ•ে āϝুāĻ•্āϤāϰাāϜ্āϝেāϰ āĻŦিāϚ্āĻ›েāĻĻ āĻ•াāϰ্āϝāĻ•āϰ āύা āĻšāĻ“ā§Ÿা⧟ āĻ•্āώুāĻŦ্āϧ āĻŦিāϚ্āĻ›েāĻĻāĻĒāύ্āĻĨীāϰা āĻŽাāϤ্āϰ ā§Ŧ āϏāĻĒ্āϤাāĻš āφāĻ—ে āĻ—āĻ āύ āĻ•āϰেāĻ›িāϞেāύ ‘āĻŦ্āϰেāĻ•্āϏিāϟ āĻĒাāϰ্āϟি’। āϝুāĻ•্āϤāϰাāϜ্āϝে āχāχāω āĻĒাāϰ্āϞাāĻŽেāύ্āϟ āύিāϰ্āĻŦাāϚāύে āϏেāχ āĻŦ্āϰেāĻ•্āϏিāϟ āĻĒাāϰ্āϟিāϰāχ āϜ⧟āϜ⧟āĻ•াāϰ āĻšāϞো। āϏোāĻŽāĻŦাāϰ (⧍⧭ āĻŽে) āχāχāω āĻĒাāϰ্āϞাāĻŽেāύ্āϟ āύিāϰ্āĻŦাāϚāύেāϰ āĻĢāϞাāĻĢāϞ āϘোāώāĻŖা āĻšā§Ÿ।
āĻĒ্āϰāĻ•াāĻļিāϤ āĻĢāϞাāĻĢāϞে āĻĻ্āĻŦিāϤী⧟ āĻ…āĻŦāϏ্āĻĨাāύে āϰ⧟েāĻ›ে āĻŦ্āϰেāĻ•্āϏিāϟ-āĻŦিāϰোāϧী āϞিāĻŦাāϰেāϞ āĻĄেāĻŽোāĻ•্āϰ্āϝাāϟ āĻĻāϞ (āϞিāĻŦāĻĄেāĻŽ)। āφāϰ āĻ­āϰাāĻĄুāĻŦি āĻšā§ŸেāĻ›ে āĻŦ্āϰেāĻ•্āϏিāϟ āĻĒ্āϰāĻļ্āύে āύāĻŽāύী⧟ āĻ…āĻŦāϏ্āĻĨাāύ āĻŦāϜা⧟ āϰাāĻ–া āĻ•্āώāĻŽāϤাāϏীāύ āĻ•āύāϜাāϰāĻ­েāϟিāĻ­ āĻ“ āĻŦিāϰোāϧী āĻĻāϞ āϞেāĻŦাāϰেāϰ। āĻāχ āύিāϰ্āĻŦাāϚāύেāϰ āĻĢāϞ āφāĻŦাāϰāĻ“ āϜাāύাāύ āĻĻিāϞ āĻŦ্āϰেāĻ•্āϏিāϟেāϰ āĻĒāĻ•্āώে-āĻŦিāĻĒāĻ•্āώে āϝুāĻ•্āϤāϰাāϜ্āϝেāϰ āĻŽাāύুāώ āĻ•āϤāϟা āĻ•āϟ্āϟāϰāĻ­াāĻŦে āĻŦিāĻ­āĻ•্āϤ।
āĻāϰ āφāĻ—ে ā§¨ā§Š āĻĨেāĻ•ে ⧍ā§Ŧ āϜুāύ āχāχāω āϏāĻĻāϏ্āϝāĻ­ুāĻ•্āϤ ⧍⧝āϟি āĻĻেāĻļে āĻ•্āϰāĻŽাāύ্āĻŦ⧟ে āύিāϰ্āĻŦাāϚāύ āĻ…āύুāώ্āĻ িāϤ āĻšā§Ÿ। āϝুāĻ•্āϤāϰাāϜ্āϝে āĻ­োāϟ āĻšā§Ÿ ā§¨ā§Š āĻŽে।
āϝুāĻ•্āϤāϰাāϜ্āϝে ⧧⧍āϟি āĻ…āĻž্āϚāϞ āĻĨেāĻ•ে āĻŽোāϟ ā§­ā§Š āϜāύ āĻāĻŽāχāĻĒি (āĻŽেāĻŽ্āĻŦাāϰ āĻ…āĻŦ āχāωāϰোāĻĒি⧟াāύ āĻĒাāϰ্āϞাāĻŽেāύ্āϟ) āύিāϰ্āĻŦাāϚিāϤ āĻšā§Ÿ। āϏোāĻŽāĻŦাāϰ āϏ্āĻĨাāύী⧟ āϏāĻŽā§Ÿ āĻĻুāĻĒুāϰ āĻĒāϰ্āϝāύ্āϤ āĻĒ্āϰāĻ•াāĻļিāϤ ā§§ā§Ļāϟি āĻ…āĻž্āϚāϞেāϰ āĻĢāϞাāĻĢāϞে āĻĻেāĻ–া āϝা⧟, ā§Šā§¨ āĻļāϤাংāĻļ āĻ­োāϟ āĻĒে⧟ে āĻļীāϰ্āώ āĻ…āĻŦāϏ্āĻĨাāύে āϰ⧟েāĻ›ে āĻŦ্āϰেāĻ•্āϏিāϟ āĻĒাāϰ্āϟি, āϝাāϰা āĻ•োāύো āϚুāĻ•্āϤি āĻ›া⧜াāχ āχāχāωāϰ āϏāĻ™্āĻ—ে āĻŦিāϚ্āĻ›েāĻĻেāϰ āĻĒāĻ•্āώে। āĻĻāϞāϟিāϰ ā§¨ā§Ž āϜāύ āĻāĻŽāχāĻĒি āύিāϰ্āĻŦাāϚিāϤ āĻšā§ŸেāĻ›েāύ। āϘোāώিāϤ ā§§ā§Ļāϟি āĻ…āĻž্āϚāϞেāϰ āĻĢāϞাāĻĢāϞে ⧝āϟিāϤেāχ āϏāϰ্āĻŦোāϚ্āϚ āĻ­োāϟ āĻĒে⧟েāĻ›ে āĻ•āϟ্āϟāϰ āχāχāω-āĻŦিāϰোāϧী āύেāϤা āύাāχāϜেāϞ āĻĢাāϰাāϜেāϰ āĻŦ্āϰেāĻ•্āϏিāϟ āĻĒাāϰ্āϟি। āϞāύ্āĻĄāύ āĻ›া⧜া āχংāϞ্āϝাāύ্āĻĄেāϰ āϏāĻŦāĻ–াāύেāχ āĻļীāϰ্āώ āĻ…āĻŦāϏ্āĻĨাāύে āϰ⧟েāĻ›ে āϤাāϰা। āĻĻāϞāϟি āĻ“ā§ŸেāϞāϏেāĻ“ āϏāϰ্āĻŦোāϚ্āϚ āĻ­োāϟ āĻĒে⧟েāĻ›ে।
⧍ā§Ļ āĻļāϤাংāĻļ āĻ­োāϟ āĻĒে⧟ে āĻĻ্āĻŦিāϤী⧟ āĻ…āĻŦāϏ্āĻĨাāύে āφāĻ›ে āϞিāĻŦāĻĄেāĻŽ। āĻĻāϞāϟিāϰ āĻŦিāϜ⧟ী āĻāĻŽāχāĻĒিāϰ āϏংāĻ–্āϝা āĻ—āϤāĻŦাāϰেāϰ āϚে⧟ে ā§§ā§Ē āϜāύ āĻŦে⧜ে āĻšā§ŸেāĻ›ে ā§§ā§Ģ āϜāύ।
āĻ…āύ্āϝāĻĻিāĻ•ে āĻŦ্āϰেāĻ•্āϏিāϟ āĻŦাāϏ্āϤāĻŦা⧟āύ āĻ•িংāĻŦা āĻĒুāύāϰা⧟ āĻ—āĻŖāĻ­োāϟ āĻĻিāϤে āĻŦ্āϝāϰ্āĻĨ āĻ•্āώāĻŽāϤাāϏীāύ āĻ•āύāϜাāϰāĻ­েāϟিāĻ­ āĻĻāϞেāϰ āĻŽাāϤ্āϰ ā§Š āϜāύ āĻĒ্āϰাāϰ্āĻĨী āϜ⧟ী āĻšā§ŸেāĻ›েāύ, āϝা āĻ—āϤāĻŦাāϰেāϰ āϤুāϞāύা⧟ ā§§ā§Ģ āϜāύ āĻ•āĻŽ। āĻ­োāϟেāϰ āĻšিāϏাāĻŦে āĻ•্āώāĻŽāϤাāϏীāύāϰা āĻāĻŦাāϰ āĻĒিāĻ›ি⧟ে āĻĒāĻž্āϚāĻŽ āĻ…āĻŦāϏ্āĻĨাāύে।
āĻŦ্āϰেāĻ•্āϏিāϟ āĻĒ্āϰāĻļ্āύে āϧোঁ⧟াāĻļা āĻ…āĻŦāϏ্āĻĨাāύ āĻŦāϜা⧟ āϰাāĻ–া āϞেāĻŦাāϰ āĻĻāϞেāϰ āĻāĻŽāχāĻĒি āϏংāĻ–্āϝা āĻāĻŦাāϰ ā§Ž āϜāύ āĻ•āĻŽে āĻšā§ŸেāĻ›ে āĻŽাāϤ্āϰ ā§§ā§Ļ āϜāύ। āϤাāĻĻেāϰ āĻ­োāϟেāϰ āĻšাāϰ āĻ•āĻŽেāĻ›ে ā§§ā§§ āĻļāϤাংāĻļ।
āϏ্āĻ•āϟāϞ্āϝাāύ্āĻĄেāϰ ā§Ŧ āϜāύ āĻāĻŽāχāĻĒিāϰ āĻŽāϧ্āϝে āϏ্āĻ•āϟিāĻļ āύ্āϝাāĻļāύাāϞিāϏ্āϟ āĻĒাāϰ্āϟিāϰ ā§Š āϜāύ āĻāĻŦং āĻŦ্āϰেāĻ•্āϏিāϟ āĻĒাāϰ্āϟি, āϞিāĻŦāĻĄেāĻŽ āĻ“ āĻ•āύāϜাāϰāĻ­েāϟিāĻ­ āĻĒাāϰ্āϟিāϰ āĻāĻ•āϜāύ āĻ•āϰে āĻāĻŽāχāĻĒি āϜ⧟ী āĻšāĻŦেāύ āĻŦāϞে āφāĻ­াāϏ āφāĻ›ে। āφāϰ āύāϰ্āĻĻাāϰ্āύ āĻ†ā§ŸাāϰāϞ্āϝাāύ্āĻĄেāϰ āĻĢāϞাāĻĢāϞ āϜাāύা āϝাāĻŦে āĻŽāĻ™্āĻ—āϞāĻŦাāϰ। āϏেāĻ–াāύে āĻŽাāϤ্āϰ āĻāĻ•āϜāύ āĻāĻŽāχāĻĒি āύিāϰ্āĻŦাāϚিāϤ āĻšāĻŦেāύ।
āĻŦ্āϰেāĻ•্āϏিāϟ āĻĒাāϰ্āϟিāϰ āύেāϤা āύাāχāϜাāϞ āĻĢাāϰাāϜ āĻŦāϞেāύ, āĻ•āĻĨিāϤ āĻĒ্āϰāĻ—āϤিāĻļীāϞ āĻ—āĻŖāϤাāύ্āϤ্āϰিāĻ• āĻĻāϞāĻ—ুāϞো ⧍ā§Ļā§§ā§Ŧ āϏাāϞে āĻ…āύুāώ্āĻ িāϤ āĻŦ্āϰেāĻ•্āϏিāϟ āĻ—āĻŖāĻ­োāϟেāϰ āϰা⧟ āĻŦাāϏ্āϤāĻŦা⧟āύে āĻŦ্āϝāϰ্āĻĨ āĻšā§ŸেāĻ›ে। āϏে āĻ•াāϰāĻŖেāχ āĻŽাāϤ্āϰ ā§Ŧ āϏāĻĒ্āϤাāĻš āφāĻ—ে āĻ—ā§œে āĻ“āĻ া āĻŦ্āϰেāĻ•্āϏিāϟ āĻĒাāϰ্āϟিāϰ āĻāĻŽāύ āĻŦিāϜ⧟। āϤāĻŦে āϞিāĻŦāĻĄেāĻŽ āĻŦāϞāĻ›ে, āϤাāĻĻেāϰ āĻĻেāĻ“ā§Ÿা āĻĒ্āϰāϤিāϟি āĻ­োāϟ āĻŦ্āϰেāĻ•্āϏিāϟ āĻŦাāϤিāϞেāϰ āϜāύ্āϝ।
āĻŦ্āϰেāĻ•্āϏিāϟ āĻĒ্āϰāĻļ্āύে āύāĻŽāύী⧟ āĻ…āĻŦāϏ্āĻĨাāύে āĻĨাāĻ•া āĻĻāϞāĻ—ুāϞোāϰ āϏāĻŽ্āĻŽিāϞিāϤ āĻ­োāϟেāϰ āĻšাāϰ ā§Ēā§Ļ āĻļāϤাংāĻļ। āĻāχ āĻšিāϏাāĻŦ āĻĻেāĻ–ি⧟ে 

āĻŽোāĻĻিāϰ āĻļāĻĒāĻĨে āϏাāϰ্āĻ• āύ⧟ āĻŦিāĻŽāϏāϟেāĻ• āύেāϤাāϰা āφāĻŽāύ্āϤ্āϰিāϤ

āύāϰেāύ্āĻĻ্āϰ āĻŽোāĻĻি। āĻ›āĻŦি: āϰ⧟āϟাāϰ্āϏāύāϰেāύ্āĻĻ্āϰ āĻŽোāĻĻি। āĻ›āĻŦি: āϰ⧟āϟাāϰ্āϏāĻ…āύ্āϝাāύ্āϝ āĻĒ্āϰāϤিāĻŦেāĻļীāĻĻেāϰ āφāĻŽāύ্āϤ্āϰāĻŖ āϜাāύাāύো āĻšāϞেāĻ“ āĻĒাāĻ•িāϏ্āϤাāύেāϰ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āχāĻŽāϰাāύ āĻ–াāύāĻ•ে āύāϰেāύ্āĻĻ্āϰ āĻŽোāĻĻিāϰ āĻĻ্āĻŦিāϤী⧟ āĻļāĻĒāĻĨ āĻ—্āϰāĻšāĻŖ āĻ…āύুāώ্āĻ াāύে āĻĄাāĻ•া āĻšāϞো āύা। āĻĒাāĻ•িāϏ্āϤাāύāĻ•ে āĻā§œাāϤে āφāĻ—াāĻŽী āĻŦৃāĻšāϏ্āĻĒāϤিāĻŦাāϰ āϏāύ্āϧ্āϝা āϏাāϤāϟা⧟ āĻŽোāĻĻিāϰ āĻļāĻĒāĻĨ āĻ—্āϰāĻšāĻŖ āĻ…āύুāώ্āĻ াāύে āφāĻŽāύ্āϤ্āϰāĻŖ āϜাāύাāύো āĻšāϞো ‘āĻŦিāĻŽāϏāϟেāĻ•’ āϏāĻĻāϏ্āϝāĻ­ুāĻ•্āϤ āĻĻেāĻļেāϰ āϰাāώ্āϟ্āϰ āĻ“ āϏāϰāĻ•াāϰ āĻĒ্āϰāϧাāύāĻĻেāϰ। āĻĒাāĻ•িāϏ্āϤাāύ āĻŦিāĻŽāϏāϟেāĻ•েāϰ āϏāĻĻāϏ্āϝ āύ⧟।
āφāϜ āϏোāĻŽāĻŦাāϰ āĻĒāϰāϰাāώ্āϟ্āϰ āĻŽāύ্āϤ্āϰāĻŖাāϞ⧟েāϰ āĻŽুāĻ–āĻĒাāϤ্āϰ āϰāĻŦীāĻļ āĻ•ুāĻŽাāϰ āϜাāύাāύ, āĻĒ্āϰāϤিāĻŦেāĻļী āĻĒ্āϰāĻĨāĻŽ āύীāϤি āĻŽেāύে āĻāχ āφāĻŽāύ্āϤ্āϰāĻŖ। āĻŦিāĻŽāϏāϟেāĻ• āϏāĻĻāϏ্āϝāĻĻেāϰ āĻŽāϧ্āϝে āĻ­াāϰāϤ āĻ›া⧜া āϰ⧟েāĻ›ে āĻŦাংāϞাāĻĻেāĻļ, āĻŽি⧟াāύāĻŽাāϰ, āĻļ্āϰীāϞāĻ™্āĻ•া, āĻĨাāχāϞ্āϝাāύ্āĻĄ, āύেāĻĒাāϞ āĻ“ āĻ­ুāϟাāύ। āĻĻāĻ•্āώিāĻŖ āĻāĻļি⧟া⧟ āϏāĻšāϝোāĻ—িāϤা āĻŦৃāĻĻ্āϧিāϰ āĻ•্āώেāϤ্āϰে āϏাāϰ্āĻ• āĻ…āĻ•াāϰ্āϝāĻ•āϰ āĻšā§Ÿে āϝাāĻ“ā§Ÿা⧟ āĻŦিāĻŽāϏāϟেāĻ•-āĻ•ে āϜোāϰাāϞো āĻ•āϰাāϰ āĻĻিāĻ•ে āĻāĻ–āύ āĻ­াāϰāϤেāϰ āύāϜāϰ āĻŦেāĻļি।
āĻŦিāĻŽāϏāϟেāĻ• āϏāĻĻāϏ্āϝ āĻĻেāĻļ āĻ›া⧜াāĻ“ āφāĻŽāύ্āϤ্āϰāĻŖ āϜাāύাāύো āĻšā§ŸেāĻ›ে āĻ•িāϰāĻ—িāϜāϏ্āϤাāύেāϰ āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āĻ“ āĻŽāϰিāĻļাāϏেāϰ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰীāĻ•ে। āĻ•িāϰāĻ—িāϜāϏ্āϤাāύেāϰ āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āϏুāϰāύāĻŦে āϜিāύāĻŦিāĻ•āĻ­ āĻŦāϰ্āϤāĻŽাāύে āϏাংāĻšাāχ āĻ•ো-āĻ…āĻĒাāϰেāĻļāύāϏ āĻ…āϰ্āĻ—াāύাāχāϜেāĻļāύ–āĻāϰ āϏāĻ­াāĻĒāϤি। āĻŽāϰিāĻļাāϏেāϰ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻĒ্āϰāĻŦীāĻŖ āϜুāĻ—āύাāĻĨ āϏāĻŽ্āĻĒ্āϰāϤি āĻĒ্āϰāĻŦাāϏী āĻ­াāϰāϤী⧟ āĻĻিāĻŦāϏ āωāĻĒāϞāĻ•্āώে āĻ†ā§ŸোāϜিāϤ āĻ…āύুāώ্āĻ াāύে āĻĒ্āϰāϧাāύ āĻ…āϤিāĻĨি āĻšিāϏেāĻŦে āωāĻĒāϏ্āĻĨিāϤ āĻ›িāϞেāύ।
‘āĻŦে āĻ…āĻŦ āĻŦেāĻ™্āĻ—āϞ āχāύিāĻļি⧟েāϟিāĻ­ āĻĢāϰ āĻŽাāϞ্āϟিāϏেāĻ•āϟোāϰাāϞ āϟেāĻ•āύিāĻ•্āϝাāϞ āĻ…্āϝাāύ্āĻĄ āχāĻ•োāύāĻŽিāĻ• āĻ•ো-āĻ…āĻĒাāϰেāĻļāύ’ āĻŦা ‘āĻŦিāĻŽāϏāϟেāĻ•’ āϏāĻĻāϏ্āϝāĻĻেāϰ āϰাāώ্āϟ্āϰ āĻ“ āϏāϰāĻ•াāϰ āĻĒ্āϰāϧাāύāĻĻেāϰ āφāĻŽāύ্āϤ্āϰāĻŖ āϜাāύাāύোāϰ āĻŽāϧ্āϝ āĻĻি⧟ে āĻŽোāĻĻি āϏāϰāĻ•াāϰেāϰ ‘āĻĒ্āϰāϤিāĻŦেāĻļী āĻĒ্āϰāĻĨāĻŽ’ āύীāϤিāĻ•ে āĻ—ুāϰুāϤ্āĻŦ āĻĻেāĻ“ā§Ÿা āĻšāϞো। āĻāĻ•āχ āϏāĻ™্āĻ—ে āĻāϰ āĻŽāϧ্āϝ āĻĻি⧟ে āĻĒāĻļ্āϚিāĻŽ āĻĒ্āϰāϤিāĻŦেāĻļী āĻĒাāĻ•িāϏ্āϤাāύāĻ•েāĻ“ āĻā§œাāύো āϏāĻŽ্āĻ­āĻŦāĻĒāϰ āĻšāϞো। āĻĒাāĻ•িāϏ্āϤাāύেāϰ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āχāĻŽāϰাāύ āĻ–াāύ āĻāĻ•āĻĻিāύ āφāĻ—েāχ āĻĢোāύ āĻ•āϰে āĻŽোāĻĻিāĻ•ে āĻ…āĻ­িāύāύ্āĻĻিāϤ āĻ•āϰেāύ। āĻĻ্āĻŦিāĻĒāĻ•্āώী⧟ āϏāĻŽ্āĻĒāϰ্āĻ•āĻ•ে āφāϞোāϚāύাāϰ āĻŽāϧ্āϝ āĻĻি⧟ে āĻāĻ—ি⧟ে āύি⧟ে āϝাāĻ“ā§Ÿাāϰ āĻ•āĻĨাāĻ“ āĻŦāϞেāύ। āϏেāχ āĻĨেāĻ•ে āϜāϞ্āĻĒāύা āϚāϞāĻ›িāϞ, āφāĻ—েāϰāĻŦাāϰেāϰ āĻŽāϤো āĻāĻŦাāϰেāĻ“ āĻĒাāĻ•িāϏ্āϤাāύāϏāĻš āĻĒ্āϰāϤিāĻŦেāĻļী āĻĻেāĻļāĻ—ুāϞোāĻ•ে āφāĻŽāύ্āϤ্āϰāĻŖ āϜাāύাāύো āĻšāĻŦে āĻ•ি āύা।
āĻĒাāĻ•িāϏ্āϤাāύেāϰ āϏāĻ™্āĻ—ে āĻ­াāϰāϤেāϰ āĻĻ্āĻŦিāĻĒāĻ•্āώী⧟ āφāϞোāϚāύা āĻ…āύেāĻ• āĻĻিāύ āϧāϰেāχ āĻŦāύ্āϧ āϰ⧟েāĻ›ে। āĻ­াāϰāϤেāϰ āϘোāώিāϤ āύীāϤি, āϏāύ্āϤ্āϰাāϏāĻŦাāĻĻ āĻ“ āφāϞোāϚāύা āĻāĻ• āϏāĻ™্āĻ—ে āϚāϞāϤে āĻĒাāϰে āύা। āϞোāĻ•āϏāĻ­াāϰ āĻ­োāϟেāϰ āφāĻ—ে āĻ•াāĻļ্āĻŽীāϰেāϰ āĻĒুāϞāĻ“ā§ŸাāĻŽা⧟ āφāϤ্āĻŽāϘাāϤী āĻšাāĻŽāϞা⧟ ā§Ēā§Ļ āϜāĻ“ā§Ÿাāύেāϰ āĻŽৃāϤ্āϝুāϰ āĻĒāϰ āĻĒাāĻ•িāϏ্āϤাāύেāϰ āĻŦাāϞাāĻ•োāϟে āϏāύ্āϤ্āϰাāϏীāĻĻেāϰ āĻļিāĻŦিāϰে āĻ­াāϰāϤ āφāĻ•্āϰāĻŽāĻŖ āϚাāϞি⧟েāĻ›িāϞ। āĻ­োāϟেāϰ āĻĒ্āϰāϚাāϰেāĻ“ āϏেāϟা āĻŦ⧜ āĻšā§Ÿে āĻ“āĻ ে। āĻāχ āĻĒāϰিāϏ্āĻĨিāϤিāϤে āĻĒাāĻ•িāϏ্āϤাāύ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰীāĻ•ে āφāĻŽāύ্āϤ্āϰāĻŖ āϜাāύাāύো āĻšāĻŦে āĻ•ি āύা āϤা āύি⧟ে āϚāϞāĻ›িāϞ āϜāϞ্āĻĒāύা। āĻĒ্āϰāĻĨāĻŽ āĻĻāĻĢাāϰ āĻļāĻĒāĻĨে āĻ¤ā§ŽāĻ•াāϞীāύ āĻĒাāĻ• āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āύāĻ“ā§ŸাāϜ āĻļāϰিāĻĢāĻ•ে āφāĻŽāύ্āϤ্āϰāĻŖ āϜাāύি⧟েāĻ›িāϞেāύ āύāϰেāύ্āĻĻ্āϰ āĻŽোāĻĻি।

āϏ্āĻĒ্āϝাāĻŽ āĻŽেāχāϞে ā§§ā§Ļ āϞাāĻ– āĻĄāϞাāϰ

āϝাঁāϰা āχ–āĻŽেāχāϞ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰেāύ, āϤাঁāϰা āϜাāύেāύ, āĻŽাāĻেāĻŽāϧ্āϝেāχ ‘āφāĻĒāύি ā§§ā§Ļ āϞাāĻ– āĻŽাāϰ্āĻ•িāύ āĻĄāϞাāϰ āϜিāϤেāĻ›েāύ’ āĻŦা ‘āϞāϟাāϰি āϜিāϤেāĻ›েāύ’–āϜাāϤী⧟ āχ–āĻŽেāχāϞ āĻāϏে āĻĨাāĻ•ে। āĻāϏāĻŦ āϝে āϧাāĻĒ্āĻĒাāĻŦাāϜি āĻŦা āĻš্āϝাāĻ•াāϰ-āĻĒ্āϰāϤাāϰāĻ• āϚāĻ•্āϰেāϰ āĻĒাāϤা āĻĢাঁāĻĻ—āĻŦ্āϝāĻŦāĻšাāϰāĻ•াāϰীāϰা āĻāϤ āĻĻিāύে āϤা āĻŦুāĻে āĻ—েāĻ›েāύ। āĻ…āύেāĻ• āϏāĻŽā§Ÿ āĻ•োāĻŽ্āĻĒাāύিāϰ āĻĒ্āϰāϚাāϰāĻŖা āĻŦিāϜ্āĻžাāĻĒāύেāϰ āĻ…ংāĻļ āĻšā§Ÿ āĻāĻ—ুāϞো। āĻāϏāĻŦ āχ–āĻŽেāχāϞāĻ•ে ‘āϏ্āĻĒ্āϝাāĻŽ’ āĻŦāϞা āĻšā§Ÿ। āϏāĻŽ্āĻĒ্āϰāϤি āĻ āϰāĻ•āĻŽ āĻāĻ• āϏ্āĻĒ্āϝাāĻŽ āχ–āĻŽেāχāϞ āĻ–ুāϞে āĻ­াāĻ—্āϝāχ āĻ–ুāϞে āĻ—েāĻ›ে āĻŽাāϰ্āĻ• āϞিāϚāĻĢিāϞ্āĻĄ āύাāĻŽেāϰ āĻāĻ• āĻŦ্āϝāĻ•্āϤিāϰ।
āϞিāϚāĻĢিāϞ্āĻĄেāϰ āĻ‡ā§ŸাāĻšু āĻŽেāχāϞে āĻšāĻ াā§Ž āĻāĻ•āĻĻিāύ āχ–āĻŽেāχāϞ āφāϏে, āϤিāύি ā§§ā§Ģ āϞাāĻ– āĻĄāϞাāϰ āĻ…āϰ্āĻĨ āĻĒুāϰāϏ্āĻ•াāϰ āĻĒে⧟েāĻ›েāύ। āĻŽেāχāϞāϟি āĻ–োāĻĻ āĻ‡ā§ŸাāĻšু āĻ•āϰ্āϤৃāĻĒāĻ•্āώ āĻĒাāĻ ি⧟েāĻ›ে। āĻāϤে āϞেāĻ–া āĻ›িāϞ, ‘āφāĻŽāϰা āφāĻĒāύাāĻ•ে āĻ•িāĻ›ু āĻ…āϰ্āĻĨ āĻĻেāĻŦ। āφāĻĒāύি āĻ•ি āϤা āϚাāύ?’ āĻ•āϰ্āϤৃāĻĒāĻ•্āώ āϜাāύা⧟, āϤাāĻĻেāϰ āĻ“ā§ŸেāĻŦāϏাāχāϟে āĻāĻ•āϟি ‘āĻŦাāĻ—’ āϧāϰে āĻĻেāĻ“ā§Ÿা⧟ āĻĒুāϰāϏ্āĻ•াāϰāϟি āĻĻিāϚ্āĻ›ে āϤাāϰা।
āĻ‡ā§ŸাāĻšুāϏāĻš āĻāĻ–āύ āϏāĻŦ āĻŦ⧜ āĻ…āύāϞাāχāύ-āϜা⧟াāύ্āϟāϰা āϤাāĻĻেāϰ āĻ“ā§ŸেāĻŦ āĻ•োāĻĄে āϤ্āϰুāϟি āϧāϰি⧟ে āĻĻিāϤে āĻĒাāϰāϞে āĻāĻŽāύ āĻ…āϰ্āĻĨ āĻĒুāϰāϏ্āĻ•াāϰ āĻĻি⧟ে āĻĨাāĻ•ে। āĻāϏāĻŦ āϤ্āϰুāϟিāĻ•ে ‘āĻŦাāĻ—’ āĻŦāϞে।
āϞিāϚāĻĢিāϞ্āĻĄ āĻŦāϞেāύ, āϤিāύি āĻ“āχ āϤ্āϰুāϟি āϧāϰে āĻĻেāĻ“ā§Ÿাāϰ āĻ•āĻĨা āĻ­ুāϞেāχ āĻ—ি⧟েāĻ›িāϞেāύ। āĻ•াāϜāϟি āύিāϤাāύ্āϤāχ āϏ্āĻŦেāϚ্āĻ›াāϏেāĻŦāĻ•েāϰ āĻŽāϤো āĻ•āϰেāĻ›িāϞেāύ āϤিāύি। āϞিāϚāĻĢিāϞ্āĻĄ āĻŦāϞেāύ, āϝে āĻ•েāωāχ āĻ•াāϜāϟি āĻ•āϰāϤে āĻĒাāϰেāύ। āĻāϰ āϜāύ্āϝ āĻ•োāĻĄিং āϜ্āĻžাāύāĻ“ āĻĨাāĻ•āϤে āĻšāĻŦে, āĻāĻŽāύ āĻ•োāύো āĻ•āĻĨা āύেāχ। āϤিāύি āύিāϜেāĻ“ āĻ•োāĻĄিং āĻĒাāϰেāύ āύা।

āĻŽাāϰ্āĻ•িāύ āϰাāϜāύীāϤি āĻāĻ–āύ āĻ•েāĻŦāϞ āĻ•াāĻĻা–āĻ›ো⧜াāĻ›ু⧜ি

āĻĄোāύাāϞ্āĻĄ āϟ্āϰাāĻŽ্āĻĒ। āĻĢাāχāϞ āĻ›āĻŦিāĻĄোāύাāϞ্āĻĄ āϟ্āϰাāĻŽ্āĻĒ। āĻĢাāχāϞ āĻ›āĻŦিāĻŽাāϰ্āĻ•িāύ āϰাāϜāύীāϤিāϰ āĻāĻ•āϟি āĻ…āϞিāĻ–িāϤ āύি⧟āĻŽ āĻ›িāϞ, āĻĻেāĻļেāϰ āĻŦাāχāϰে āĻ—ি⧟ে āĻ•েāω āύিāϜ āĻĻেāĻļেāϰ āĻ•াāϰāĻ“ āĻŦিāϰুāĻĻ্āϧে āύিāύ্āĻĻা āĻ•āϰāĻŦেāύ āύা। āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āĻĄোāύাāϞ্āĻĄ āϟ্āϰাāĻŽ্āĻĒ āϏে āύি⧟āĻŽ āφāĻ—েāχ āĻ­āĻ™্āĻ— āĻ•āϰেāĻ›েāύ। āϜাāĻĒাāύ āĻ­্āϰāĻŽāĻŖে āĻ—ি⧟ে āφāĻŦাāϰāĻ“ āϏেāχ āĻ•াāϜ āĻ•āϰāϞেāύ। āϟোāĻ•িāĻ“āϤে āĻāĻ• āϏāϰāĻ•াāϰি āϏāĻĢāϰে āĻ—ি⧟ে āϤিāύি āĻŦāϞেāĻ›েāύ, āϏাāĻŦেāĻ• āĻ­াāχāϏ āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āϜো āĻŦাāχāĻĄেāύ āĻāĻ•āϜāύ āĻ•āĻŽ āĻŦুāĻĻ্āϧিāϏāĻŽ্āĻĒāύ্āύ āĻŽাāύুāώ, āϤাঁāϰ āφāχāĻ•িāωāĻ•āĻŽ, āĻ•োāϰী⧟ āύেāϤা āĻ•িāĻŽ āϜং-āωāύেāϰ āĻāχ āĻŦāĻ•্āϤāĻŦ্āϝ āϤিāύি āϏāĻŽāϰ্āĻĨāύ āĻ•āϰেāύ।
āϟ্āϰাāĻŽ্āĻĒ āĻŦāϞেāĻ›েāύ, ‘āϜো āĻŦাāχāĻĄেāύāĻ•ে āύি⧟ে āĻ•িāĻŽ āϜং āϝা āĻŦāϞেāĻ›েāύ, āϤা āχāϤিāĻšাāϏেāϰ āĻ­িāϤ্āϤিāϤেāχ āĻŦāϞেāĻ›েāύ। āϤাঁāϰ āĻ•āĻĨাāϰ āϏāĻ™্āĻ—ে āφāĻŽি āĻāĻ•āĻŽāϤ।
āϟ্āϰাāĻŽ্āĻĒ āĻ•ীāĻ­াāĻŦে āύিāϜ āĻĻেāĻļেāϰ āϏাāĻŦেāĻ• āĻ­াāχāϏ āĻĒ্āϰেāϏিāĻĄেāύ্āϟāĻ•ে āύি⧟ে āĻŦিāĻĻেāĻļেāϰ āĻāĻ•āϜāύ āĻāĻ•āύা⧟āĻ•āĻ•ে āϏāĻŽāϰ্āĻĨāύ āĻ•āϰāĻ›েāύ—āĻāĻŽāύ āĻāĻ• āĻĒ্āϰāĻļ্āύ āĻ•āϰা āĻšāϞে āϟ্āϰাāĻŽ্āĻĒ āĻŦāϞেāύ, ‘āφāĻŽি āĻ•াāϰāĻ“ āĻĒ্āϰāϤি āĻĒāĻ•্āώāĻĒাāϤ āĻ•āϰāĻ›ি āύা, āĻ•িāύ্āϤু āĻ āĻ•āĻĨা āφāĻŽি āĻŦāϞāĻŦ, āϜো āĻŦাāχāĻĄেāύ āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻŦ্āϝāϰ্āĻĨ āĻ›িāϞেāύ। āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āĻ“āĻŦাāĻŽাāϰ āĻĒ্āϰāĻļাāϏāύেāϰ āĻ…ংāĻļ āĻšিāϏেāĻŦে āϤাঁāϰা āĻ…āύেāĻ• āĻŦিāώ⧟েāχ āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻŦ্āϝāϰ্āĻĨ āĻšāύ।’
āĻ—āϤāĻ•াāϞ āϏোāĻŽāĻŦাāϰ āϏাংāĻŦাāĻĻিāĻ•āĻĻেāϰ āϏāĻ™্āĻ—ে āĻ•āĻĨা āĻŦāϞাāϰ āϏāĻŽā§Ÿ āĻ…āύ্āϝ āĻĒ্āϰāĻļ্āύেāϰ āϜāĻŦাāĻŦে āϟ্āϰাāĻŽ্āĻĒ āĻŦāϞেāύ, āϤিāύি āĻŦাāχāĻĄেāύেāϰ ‘āĻĢ্āϝাāύ’ āĻŦা āĻ­āĻ•্āϤ āύāύ।

āĻāϰ āφāĻ—েāϰ āĻĻিāύ, āĻ…āϰ্āĻĨাā§Ž āϰোāĻŦāĻŦাāϰ āĻāĻ• āϟুāχāϟে āϟ্āϰাāĻŽ্āĻĒ āϜাāύাāύ, āĻŦাāχāĻĄেāύেāϰ āφāχāĻ•িāωāĻ•āĻŽ, āĻ•িāĻŽ āϜং-āωāύেāϰ āĻāχ āĻ•āĻĨা āĻļুāύে āϤিāύি āĻšেāϏে āĻĢেāϞেāĻ›েāύ।
āĻŦিāĻĻেāĻļেāϰ āĻŽাāϟিāϤে āύিāϜ āĻĻেāĻļেāϰ āϰাāϜāύীāϤিāĻ•েāϰ āĻĒ্āϰāϤি āĻŦিāĻĻ্āϰূāĻĒাāϤ্āĻŽāĻ• āĻŽāύ্āϤāĻŦ্āϝেāϰ āϜāύ্āϝ āĻ…āύেāĻ•েāχ āϟ্āϰাāĻŽ্āĻĒেāϰ āϏāĻŽাāϞোāϚāύা āĻ•āϰেāĻ›েāύ। āĻĄেāĻŽোāĻ•্āϰেāϟিāĻ• āĻĒাāϰ্āϟিāϰ āĻ•ংāĻ—্āϰেāϏ āϏāĻĻāϏ্āϝ āĻ“ āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āĻĒāĻĻāĻĒ্āϰাāϰ্āĻĨী āϏেāĻĨ āĻŽৌāϞāϟāύ āϏিāĻāύāĻāύāĻ•ে āĻŦāϞেāύ, āϟ্āϰাāĻŽ্āĻĒেāϰ āĻāχ āĻŽāύ্āϤāĻŦ্āϝ āĻĒ্āϰāĻŽাāĻŖ āĻ•āϰে, āϤিāύি āĻŽোāϟেāχ āĻĻেāĻļāĻĒ্āϰেāĻŽিāĻ• āύāύ। āϝুāĻ•্āϤāϰাāώ্āϟ্āϰেāϰ āχāϤিāĻšাāϏে āĻ•্āϰিāĻŽিāύাāϞ āĻŦা āĻ…āĻĒāϰাāϧী āĻāĻŽāύ āϞোāĻ• āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āύিāϰ্āĻŦাāϚিāϤ āĻšā§ŸেāĻ›েāύ, āϝেāĻŽāύ āϰিāϚাāϰ্āĻĄ āύিāĻ•্āϏāύ। āĻ•িāύ্āϤু āϤিāύি āĻĻেāĻļāĻĒ্āϰেāĻŽিāĻ• āύāύ, āĻ āĻ•āĻĨা āĻ•েāω āĻŦāϞāĻŦে āύা।
āϰিāĻĒাāĻŦāϞিāĻ•াāύ āĻ•ংāĻ—্āϰেāϏ āϏāĻĻāϏ্āϝ āĻ•িāύāϜিāĻ™্āĻ—াāϰ āĻŦāϞেāĻ›েāύ, āϟ্āϰাāĻŽ্āĻĒ āĻŦিāĻĻেāĻļেāϰ āĻŽাāϟিāϤে āϜো āĻŦাāχāĻĄেāύ āϏāĻŽ্āĻŦāύ্āϧে āϝে āĻŽāύ্āϤāĻŦ্āϝ āĻ•āϰেāĻ›েāύ, āϤা āĻ িāĻ• āύ⧟।
āĻ—āϤāĻ•াāϞ āĻ›িāϞ āĻŽেāĻŽোāϰি⧟াāϞ āĻĄে। āĻāχ āĻĻিāύ āĻĻেāĻļেāϰ āϜāύ্āϝ āϝাঁāϰা āφāϤ্āĻŽāϤ্āϝাāĻ— āĻ•āϰেāĻ›েāύ, āϤাঁāĻĻেāϰ āϏ্āĻŽāϰāĻŖ āĻ•āϰা āĻšā§Ÿ। āĻāĻ• āϟুāχāϟে āĻ•িāύāϜিāĻ™্āĻ—াāϰ āĻŦিāϏ্āĻŽā§Ÿ āĻĒ্āϰāĻ•াāĻļ āĻ•āϰেāύ, āĻāĻŽāύ āĻāĻ• āĻĻিāύে āĻāĻ•āϜāύ āĻāĻ•āύা⧟āĻ•েāϰ āĻĒāĻ•্āώ āύি⧟ে āĻŦাāχāĻĄেāύেāϰ āĻŦিāϰুāĻĻ্āϧে āĻ•āϟু āĻ•āĻĨা āĻŦāϞাāϰ āĻĒāĻĨ āĻŦেāĻ›ে āύি⧟েāĻ›েāύ āϟ্āϰাāĻŽ্āĻĒ।
āϏাāĻŽ্āĻĒ্āϰāϤিāĻ• āϏāĻŽā§Ÿে āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āϟ্āϰাāĻŽ্āĻĒ āĻ“ āĻŦিāϰোāϧী āĻĄেāĻŽোāĻ•্āϰ্āϝাāϟāĻĻেāϰ āĻŽāϧ্āϝে āĻ•āĻĨা–āϚাāϞাāϚাāϞি āĻ•্āϰāĻŽে āĻĒ্āϰāĻ•াāĻļ্āϝ āĻ•াāĻĻা–āĻ›ো⧜াāĻ›ু⧜িāϤে āĻĒāϰিāĻŖāϤ āĻšā§ŸেāĻ›ে। āĻ—āϤ āϏāĻĒ্āϤাāĻšে āĻĄেāĻŽোāĻ•্āϰেāϟিāĻ• āϏ্āĻĒিāĻ•াāϰ āύ্āϝাāύ্āϏি āĻĒেāϞোāϏি āϟ্āϰাāĻŽ্āĻĒেāϰ āĻŽাāύāϏিāĻ• āϏুāϏ্āĻĨāϤা āύি⧟ে āĻĒ্āϰāĻļ্āύ āϤুāϞে āĻŦāϞেāύ, āϤাঁāĻ•ে āϏাāĻŽāϞাāύোāϰ āϜāύ্āϝ āĻĒāϰিāĻŦাāϰেāϰ āĻ­েāϤāϰ āĻĨেāĻ•ে āĻ•াāϰāĻ“ āωāϚিāϤ āĻāĻ—ি⧟ে āφāϏা। āωāϤ্āϤāϰে āϟ্āϰাāĻŽ্āĻĒ āĻĒেāϞোāϏিāϰ āĻŦুāĻĻ্āϧিāĻŽāϤ্āϤা āύি⧟ে āĻĒ্āϰāĻļ্āύ āĻ•āϰেāύ। āύিāϜেāĻ•ে āĻāĻ•āϜāύ āĻ…āϤ্āϝāύ্āϤ āϧীāϰāĻŽāϏ্āϤিāώ্āĻ• ‘āϜিāύি⧟াāϏ’ āĻ…āĻ­িāĻšিāϤ āĻ•āϰে āϟ্āϰাāĻŽ্āĻĒ āĻŦāϞেāύ, āĻŽেāĻ•্āϏিāĻ•ো āĻ“ āĻ•াāύাāĻĄাāϰ āϏāĻ™্āĻ—ে āϝে āĻŦাāĻŖিāϜ্āϝ āϚুāĻ•্āϤি āĻšā§ŸেāĻ›ে, āϤা āĻŦোāĻাāϰ āĻ•্āώāĻŽāϤা āĻĒেāϞোāϏিāϰ āύেāχ।
āωāϤ্āϤāϰে āĻĒেāϞোāϏি āĻāĻ• āϟুāχāϟে āĻŽāύ্āϤāĻŦ্āϝ āĻ•āϰেāύ, ‘“āϧীāϰāĻŽāϏ্āϤিāώ্āĻ• āĻāχ āϜিāύি⧟াāϏ” āϝāĻ–āύ āĻāĻ•āϜāύ āĻĒ্āϰেāϏিāĻĄেāύ্āϟেāϰ āĻŽāϤো āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰা āĻļুāϰু āĻ•āϰāĻŦেāύ, āϤāĻ–āύ āϤাঁāϰ āϏāĻ™্āĻ—ে āĻ…āĻŦāĻ•াāĻ াāĻŽোāϏāĻš āĻ…āύ্āϝাāύ্āϝ āĻŦিāώ⧟ে āĻ•āĻĨা āĻŦāϞাāϰ āϜāύ্āϝ āφāĻŽি āĻĒ্āϰāϏ্āϤুāϤ।’

āϤ্āϰিāĻĻেāĻļী⧟ āϏāĻĢāϰে āϜাāĻĒাāύেāϰ āĻĒāĻĨে āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী

āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻļেāĻ– āĻšাāϏিāύা āϜাāĻĒাāύ, āϏৌāĻĻি āφāϰāĻŦ āĻ“ āĻĢিāύāϞ্āϝাāύ্āĻĄে āϤ্āϰিāĻĻেāĻļী⧟ āϏāĻĢāϰেāϰ āωāĻĻ্āĻĻেāĻļে āφāϜ āĻŽāĻ™্āĻ—āϞāĻŦাāϰ āϏāĻ•াāϞে āϰাāϜāϧাāύী āĻĸাāĻ•া āϤ্āϝাāĻ— āĻ•āϰেāĻ›েāύ। āĻ›āĻŦি: āĻŦাāϏāϏ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻļেāĻ– āĻšাāϏিāύা āϜাāĻĒাāύ, āϏৌāĻĻি āφāϰāĻŦ āĻ“ āĻĢিāύāϞ্āϝাāύ্āĻĄে āϤ্āϰিāĻĻেāĻļী⧟ āϏāĻĢāϰেāϰ āωāĻĻ্āĻĻেāĻļে āφāϜ āĻŽāĻ™্āĻ—āϞāĻŦাāϰ āϏāĻ•াāϞে āϰাāϜāϧাāύী āĻĸাāĻ•া āϤ্āϝাāĻ— āĻ•āϰেāĻ›েāύ। āĻ›āĻŦি: āĻŦাāϏāϏāĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻļেāĻ– āĻšাāϏিāύা āϜাāĻĒাāύ, āϏৌāĻĻি āφāϰāĻŦ āĻ“ āĻĢিāύāϞ্āϝাāύ্āĻĄেāϰ āωāĻĻ্āĻĻেāĻļে āφāϜ āĻŽāĻ™্āĻ—āϞāĻŦাāϰ āϏāĻ•াāϞে āĻĸাāĻ•া āĻ›ে⧜েāĻ›েāύ। āĻŦিāĻŽাāύ āĻŦাংāϞাāĻĻেāĻļ āĻā§ŸাāϰāϞাāχāύāϏেāϰ āĻŦিāĻļেāώ āĻāĻ•āϟি āĻĢ্āϞাāχāϟ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āϤাঁāϰ āϏāĻĢāϰāϏāĻ™্āĻ—ীāĻĻেāϰ āύি⧟ে āϏāĻ•াāϞ ⧝āϟা ā§§ā§Ļ āĻŽিāύিāϟে āϜাāĻĒাāύেāϰ āϰাāϜāϧাāύী āϟোāĻ•িāĻ“āϰ āωāĻĻ্āĻĻেāĻļে āĻšāϜāϰāϤ āĻļাāĻšāϜাāϞাāϞ āφāύ্āϤāϰ্āϜাāϤিāĻ• āĻŦিāĻŽাāύāĻŦāύ্āĻĻāϰ āĻ›ে⧜ে āϝা⧟।
āϏ⧜āĻ• āĻĒāϰিāĻŦāĻšāύ āĻ“ āϏেāϤুāĻŽāύ্āϤ্āϰী āĻ“āĻŦা⧟āĻĻুāϞ āĻ•াāĻĻেāϰ, āĻŽুāĻ•্āϤিāϝুāĻĻ্āϧāĻŦিāώ⧟āĻ• āĻŽāύ্āϤ্āϰী āφ āĻ• āĻŽ āĻŽোāϜাāĻŽ্āĻŽেāϞ āĻšāĻ•, āĻĒāϰāϰাāώ্āϟ্āϰāĻŽāύ্āϤ্āϰী āĻ āĻ•ে āφāĻŦ্āĻĻুāϞ āĻŽোāĻŽেāύ, āϜাāϤী⧟ āϏংāϏāĻĻেāϰ āϚিāĻĢ āĻšুāχāĻĒ āύূāϰ-āχ-āφāϞāĻŽ āϚৌāϧুāϰী āϞিāϟāύ, āĻŽāύ্āϤ্āϰিāĻĒāϰিāώāĻĻ āϏāϚিāĻŦ, āϤিāύ āĻŦাāĻšিāύী āĻĒ্āϰāϧাāύ, āĻĄিāĻĒ্āϞোāĻŽেāϟিāĻ• āĻ•োāϰেāϰ āĻĄিāύ āĻāĻŦং āωāϚ্āϚāĻĒāĻĻāϏ্āĻĨ āĻŦেāϏাāĻŽāϰিāĻ• āĻ“ āϏাāĻŽāϰিāĻ• āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāϰা āĻŦিāĻŽাāύāĻŦāύ্āĻĻāϰে āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰীāĻ•ে āĻŦিāĻĻা⧟ āϜাāύাāύ।
āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰীāĻ•ে āĻŦāĻšāύāĻ•াāϰী āĻŦিāĻŽাāύāϟিāϰ āϟোāĻ•িāĻ“āϰ āϏ্āĻĨাāύী⧟ āϏāĻŽā§Ÿ āϏāύ্āϧ্āϝা āϏা⧜ে āĻ›ā§Ÿāϟা⧟ āĻšেāύেāĻĻা āφāύ্āϤāϰ্āϜাāϤিāĻ• āĻŦিāĻŽাāύāĻŦāύ্āĻĻāϰে āĻ…āĻŦāϤāϰāĻŖেāϰ āĻ•āĻĨা āϰ⧟েāĻ›ে। āĻŦিāĻŽাāύāĻŦāύ্āĻĻāϰে āϜাāĻĒাāύেāϰ āĻĒāϰāϰাāώ্āϟ্āϰ āĻĒ্āϰāϤিāĻŽāύ্āϤ্āϰী āϤোāĻļিāĻ•ো āφāĻŦে āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰীāĻ•ে āϏ্āĻŦাāĻ—āϤ āϜাāύাāĻŦেāύ।
āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āϤাঁāϰ āϏāĻĢāϰেāϰ āĻĒ্āϰāĻĨāĻŽে āϜাāĻĒাāύে ā§¨ā§Ž āĻĨেāĻ•ে ā§Šā§§ āĻŽে āĻĒāϰ্āϝāύ্āϤ āĻ…āύুāώ্āĻ ে⧟ āĻĢিāωāϚাāϰ āĻāĻļি⧟া āĻļীāϰ্āώāĻ• ⧍ā§ĢāϤāĻŽ āφāύ্āϤāϰ্āϜাāϤিāĻ• āϏāĻŽ্āĻŽেāϞāύ āĻ­াāώāĻŖ āĻĻেāĻŦেāύ। āĻļেāĻ– āĻšাāϏিāύা āϏেāĻ–াāύে āĻāĻ•āϟি āϚুāĻ•্āϤি āϏ্āĻŦাāĻ•্āώāϰ āĻ…āύুāώ্āĻ াāύে āϝোāĻ— āĻĻেāĻŦেāύ āĻāĻŦং āϜাāĻĒাāύেāϰ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻļিāύāϜো āφāĻŦেāϰ āϏāĻ™্āĻ—ে āĻĻ্āĻŦিāĻĒāĻ•্āώী⧟ āĻŦিāĻ­িāύ্āύ āĻŦিāώ⧟ āύি⧟ে āφāϞোāϚāύা āĻ•āϰāĻŦেāύ। āϏেāĻ–াāύে āϤাঁāϰ āϏāĻŽ্āĻŽাāύে āĻŦাংāϞাāĻĻেāĻļি āĻ•āĻŽিāωāύিāϟিāϰ āĻĻেāĻ“ā§Ÿা āĻāĻ•āϟি āϏংāĻŦāϰ্āϧāύা āĻ…āύুāώ্āĻ াāύে āϝোāĻ—āĻĻাāύ āĻ•āϰāĻŦেāύ। āĻ āĻ›া⧜া āϤিāύি āĻšোāϞি āφāϰ্āϟিāϜাāύে āĻšাāĻŽāϞা⧟ āĻ•্āώāϤিāĻ—্āϰāϏ্āϤ āĻĒāϰিāĻŦাāϰেāϰ āϏāĻĻāϏ্āϝāĻĻেāϰ āϏāĻ™্āĻ—ে āĻĻেāĻ–া āĻ•āϰāĻŦেāύ। āϤিāύি āϜাāĻĒাāύেāϰ āĻŦ্āϝāĻŦāϏা⧟ী āύেāϤাāĻĻেāϰ āϏāĻ™্āĻ—ে āĻŦৈāĻ āĻ• āĻ•āϰāĻŦেāύ।
āϜাāĻĒাāύে āϏāĻĢāϰ āĻļেāώ āĻ•āϰে āĻļেāĻ– āĻšাāϏিāύা āϜেāĻĻ্āĻĻাāϰ āωāĻĻ্āĻĻেāĻļে āϟোāĻ•িāĻ“ āĻ›া⧜āĻŦেāύ। āϤিāύি āφāĻ—াāĻŽী ā§Š āϜুāύ āĻĒāϰ্āϝāύ্āϤ āϏেāĻ–াāύে āĻĨাāĻ•āĻŦেāύ।

āϏৌāĻĻি āφāϰāĻŦ āϏāĻĢāϰেāϰ āϏāĻŽā§Ÿ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āχāϏāϞাāĻŽি āϏāĻšāϝোāĻ—িāϤা āϏংāϏ্āĻĨাāϰ (āĻ“āφāχāϏি) ā§§ā§ĒāϤāĻŽ āĻ…āϧিāĻŦেāĻļāύেāϰ āωāĻĻ্āĻŦোāϧāύী āĻ…āύুāώ্āĻ াāύে āϝোāĻ— āĻĻেāĻŦেāύ। āϏেāĻ–াāύে āĻŽāĻ•্āĻ•াāϤে ā§Šā§§ āĻŽে ‘āĻŽāĻ•্āĻ•া āϏাāĻŽিāϟ: āϟুāĻ—েāĻĻাāϰ āĻĢāϰ āĻĻ্āϝ āĻĢিāωāϚাāϰ’ āĻļীāϰ্āώāĻ• āχāϏāϞাāĻŽি āĻļীāϰ্āώ āϏāĻŽ্āĻŽেāϞāύ āĻ…āύুāώ্āĻ িāϤ āĻšāĻŦে। āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āϏেāĻ–াāύে āĻĒāĻŦিāϤ্āϰ āĻ“āĻŽāϰাāĻš āĻĒাāϞāύ āĻ•āϰāĻŦেāύ।
āϏৌāĻĻি āφāϰāĻŦ āϏāĻĢāϰ āĻļেāώে āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻļেāĻ– āĻšাāϏিāύা āφāĻ—াāĻŽী ā§Š āϜুāύ āĻĢিāύāϞ্āϝাāύ্āĻĄেāϰ āϰাāϜāϧাāύী āĻšেāϞāϏিংāĻ•িāϰ āωāĻĻ্āĻĻেāĻļে āϜেāĻĻ্āĻĻা āϤ্āϝাāĻ— āĻ•āϰāĻŦেāύ। āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী ā§Ē āϜুāύ āĻĢিāύāϞ্āϝাāύ্āĻĄেāϰ āĻĒ্āϰেāϏিāĻĄেāύ্āϟেāϰ āϏāĻ™্āĻ—ে āϏৌāϜāύ্āϝ āϏাāĻ•্āώাā§Ž āĻ•āϰāĻŦেāύ।
āϜাāĻĒাāύ āϏāĻĢāϰেāϰ āĻĒ্āϰāĻĨāĻŽ āĻĻিāύে āφāϜ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āϜাāĻĒাāύি āϏāĻŽā§Ÿ ā§Žāϟা ā§Šā§Ļ āĻŽিāύিāϟে āĻšোāϟেāϞ āĻ“āĻ•ুāϰাāϤে āĻ•āĻŽিāωāύিāϟি āĻ…āĻ­্āϝāϰ্āĻĨāύা⧟ āϝোāĻ— āĻĻেāĻŦেāύ। āĻ•াāϞ āϏāĻ•াāϞে āĻšোāϟেāϞ āύিāω āĻ…āϟāύিāϤে āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āϜাāĻĒাāύি āĻŦ্āϝāĻŦāϏা⧟ী āϏāĻŽ্āĻĒ্āϰāĻĻা⧟েāϰ āύেāϤৃāĻŦৃāύ্āĻĻ āĻ“ āĻĒ্āϰāϧাāύ āύিāϰ্āĻŦাāĻšীāĻĻেāϰ āϏāĻ™্āĻ—ে āĻĒ্āϰাāϤāϰাāĻļ āĻ—োāϞāϟেāĻŦিāϞ āϏāĻ­া āĻ•āϰāĻŦেāύ। āĻ•াāϞāχ āφāĻŦাāϰ āĻ—ুāϞāĻļাāύেāϰ āĻšোāϞি āφāϰ্āϟিāϜাāύে āĻ•্āώāϤিāĻ—্āϰāϏ্āϤ āϜাāĻĒাāύিāϰা āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰীāϰ āϏāĻ™্āĻ—ে āϏাāĻ•্āώাā§Ž āĻ•āϰāĻŦেāύ। āĻāϰāĻĒāϰ āĻŦিāĻ•েāϞে āϤিāύি āϜাāĻĒাāύি āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āϏিāύāϜো āφāĻŦেāϰ āϏāĻ™্āĻ—ে āĻĻ্āĻŦিāĻĒāĻ•্āώী⧟ āφāϞোāϚāύা āϏāĻ­া⧟ āĻŽিāϞিāϤ āĻšāĻŦেāύ। āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻļেāĻ– āĻšাāϏিāύা āϜাāĻĒাāύেāϰ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰীāϰ āĻ…āĻĢিāϏে āĻĒৌঁāĻ›াāϞে āϏেāĻ–াāύে āϤাঁāĻ•ে āĻ—াāϰ্āĻĄ āĻ…āĻŦ āĻ…āύাāϰ āĻĻেāĻ“ā§Ÿা āĻšāĻŦে। āφāϞোāϚāύা āĻļেāώে āĻĻুāχ āĻĻেāĻļেāϰ āĻŽāϧ্āϝে āϚুāĻ•্āϤিāϏāχ āĻāĻŦং āϝৌāĻĨ āϘোāώāĻŖা āĻĒ⧜া āĻšāĻŦে।
āϏāύ্āϧ্āϝা⧟ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻļেāĻ– āĻšাāϏিāύা āϜাāĻĒাāύেāϰ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰীāϰ āϏāĻ™্āĻ—ে āϰাāώ্āϟ্āϰী⧟ āύৈāĻļāĻ­োāϜāϏāĻ­া⧟ āĻ…ংāĻļāĻ—্āϰāĻšāĻŖ āĻ•āϰāĻŦেāύ।
āφāĻ—াāĻŽী āĻŦৃāĻšāϏ্āĻĒāϤিāĻŦাāϰ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āχāĻŽāĻĒেāϰি⧟াāϞ āĻšোāϟেāϞে āύিāĻ•্āĻ•েāχ āϏāĻŽ্āĻŽেāϞāύে āϝোāĻ— āĻĻেāĻŦেāύ। āϏেāĻ–াāύে āĻŽাāϞ⧟েāĻļি⧟াāϰ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻŽাāĻšাāĻĨিāϰ āĻŦিāύ āĻŽোāĻšাāĻŽ্āĻŽāĻĻ āĻŽূāϞ āĻĒ্āϰāĻŦāύ্āϧ āĻĒাāĻ  āĻ•āϰāĻŦেāύ। āĻļেāĻ– āĻšাāϏিāύা āĻĒāϰে āĻāĻ•āχ āϜা⧟āĻ—া⧟ āĻ­āĻŦিāώ্āĻ¯ā§Ž āĻāĻļি⧟াāĻŦিāώ⧟āĻ• ⧍ā§ĢāϤāĻŽ āφāύ্āϤāϰ্āϜাāϤিāĻ• āϏāĻŽ্āĻŽেāϞāύে āĻ…ংāĻļ āύেāĻŦেāύ āĻāĻŦং āĻ­াāώāĻŖ āĻĻেāĻŦেāύ। āĻĒāϰে āϜাāχāĻ•াāϰ āϏāĻ­াāĻĒāϤি āĻļিāύিāϚি āĻ•িāϤাāĻ“āĻ•া āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰীāϰ āĻ…āĻŦāϏ্āĻĨাāύāϏ্āĻĨāϞে āϤাঁāϰ āϏāĻ™্āĻ—ে āϏাāĻ•্āώাā§Ž āĻ•āϰāĻŦেāύ।
āϏāύ্āϧ্āϝা⧟ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āύিāĻ•্āĻ•েāχ āĻ•āύāĻĢাāϰেāύ্āϏ āύৈāĻļāĻ­োāϜে āĻ…ংāĻļ āύেāĻŦেāύ। āϏেāĻ–াāύে āϜাāĻĒাāύেāϰ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻĨাāĻ•āĻŦেāύ āĻĒ্āϰāϧাāύ āĻŦāĻ•্āϤা।
āĻļুāĻ•্āϰāĻŦাāϰ āϏāĻ•াāϞ ⧝āϟা ⧍ā§Ģ āĻŽিāύিāϟে (āϜাāĻĒাāύ āϏāĻŽā§Ÿ) āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻļেāĻ– āĻšাāϏিāύা āĻŽāĻ•্āĻ•া⧟ āĻ“āφāχāϏিāϰ āχāϏāϞাāĻŽিāĻ• āĻļীāϰ্āώ āϏāĻŽ্āĻŽেāϞāύেāϰ ā§§ā§ĒāϤāĻŽ āĻ…āϧিāĻŦেāĻļāύে āϝোāĻ—āĻĻাāύেāϰ āϜāύ্āϝ āϜেāĻĻ্āĻĻাāϰ āωāĻĻ্āĻĻেāĻļে āĻšাāύেāĻĻা āφāύ্āϤāϰ্āϜাāϤিāĻ• āĻŦিāĻŽাāύāĻŦāύ্āĻĻāϰ āϤ্āϝাāĻ— āĻ•āϰāĻŦেāύ। āϜাāĻĒাāύেāϰ āĻĒāϰāϰাāώ্āϟ্āϰ āĻĒ্āϰāϤিāĻŽāύ্āϤ্āϰী āϤোāĻļিāĻ•ো āφāĻŦে āĻŦিāĻŽাāύāĻŦāύ্āĻĻāϰে āϤাঁāĻ•ে āĻŦিāĻĻা⧟ āϜাāύাāĻŦেāύ।
āĻļেāĻ– āĻšাāϏিāύা āĻļুāĻ•্āϰāĻŦাāϰ āϏ্āĻĨাāύী⧟ āϏāĻŽā§Ÿ ā§Ģāϟা ⧍ā§Ģ āĻŽিāύিāϟে āĻŦাāĻĻāĻļাāĻš āφāĻŦāĻĻুāϞ āφāϜিāϜ āφāύ্āϤāϰ্āϜাāϤিāĻ• āĻŦিāĻŽাāύāĻŦāύ্āĻĻāϰে āĻĒৌঁāĻ›āĻŦেāύ āĻāĻŦং āϏāύ্āϧ্āϝা⧟ āϤিāύি āĻŽāĻ•্āĻ•াāϰ āϏাāĻĢা āĻĒ্āϰাāϏাāĻĻে āĻ“āφāχāϏি āĻļীāϰ্āώ āϏāĻŽ্āĻŽেāϞāύেāϰ āωāĻĻ্āĻŦোāϧāύী āĻ…āύুāώ্āĻ াāύে āϝোāĻ—āĻĻাāύ āĻ•āϰāĻŦেāύ।
ā§Šā§§ āĻŽে āĻŽāĻ•্āĻ•া⧟ āĻ“āφāχāϏিāϰ āχāϏāϞাāĻŽিāĻ• āϏāĻŽ্āĻŽেāϞāύেāϰ ā§§ā§ĒāϤāĻŽ āĻ…āϧিāĻŦেāĻļāύেāϰ āĻ†ā§ŸোāϜāύ āĻ•āϰেāĻ›ে āϏৌāĻĻি āφāϰāĻŦ। ā§§ āϜুāύ āĻĻুāĻĒুāϰ āϏা⧜ে ⧧⧍āϟা⧟ āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āϏāĻŽ্āĻŽেāϞāύেāϰ āĻĒ্āϰāĻĨāĻŽ āĻ•āϰ্āĻŽ āĻ…āϧিāĻŦেāĻļāύে āĻ…ংāĻļ āύেāĻŦেāύ āĻāĻŦং āĻĻে⧜āϟা⧟ āĻ…ংāĻļ āύেāĻŦেāύ āĻĻ্āĻŦিāϤী⧟ āĻ•āϰ্āĻŽ āĻ…āϧিāĻŦেāĻļāύে।
āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻŦেāϞা āĻ†ā§œাāχāϟা⧟ āϏāĻŽাāĻĒāύী āĻ…āϧিāĻŦেāĻļāύে āĻāĻŦং āĻĒāϰে āϏাāĻĢা āĻĒ্āϰাāϏাāĻĻে āϏুāĻšুāϰ āĻ­োāϜে āĻ…ংāĻļ āύেāĻŦেāύ। āϏāύ্āϧ্āϝা⧟ āϤিāύি āĻ“āĻŽāϰাāĻš āĻĒাāϞāύ āĻ•āϰāĻŦেāύ।
āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āφāĻ—াāĻŽী ⧍ āϜুāύ āϏāĻ•াāϞে āĻŦিāĻŽাāύāϝোāĻ—ে āĻŽāĻĻিāύাāϰ āωāĻĻ্āĻĻেāĻļে āϜেāĻĻ্āĻĻা āϤ্āϝাāĻ— āĻ•āϰāĻŦেāύ āĻāĻŦং āĻšāϜāϰāϤ āĻŽুāĻšাāĻŽ্āĻŽāĻĻেāϰ (āϏা.) āϰāĻ“āϜা āĻŽোāĻŦাāϰāĻ•ে āĻĢাāϤেāĻšা āĻĒাāĻ  āĻ•āϰāĻŦেāύ।
āϏāύ্āϧ্āϝা⧟ āϤিāύি āĻŦিāĻŽাāύāϝোāĻ—ে āϜেāĻĻ্āĻĻাāϰ āωāĻĻ্āĻĻেāĻļে āĻŽāĻĻিāύা āϤ্āϝাāĻ— āĻ•āϰāĻŦেāύ। ā§Š āϜুāύ āĻĻিāĻŦাāĻ—āϤ āϰাāϤ ā§§āϟা ā§§ā§Ļ āĻŽিāύিāϟে āϤিāύি āĻĢিāύāϞ্āϝাāύ্āĻĄেāϰ āĻšেāϞāϏিংāĻ•িāϰ āωāĻĻ্āĻĻেāĻļে āϜেāĻĻ্āĻĻা āϤ্āϝাāĻ— āĻ•āϰāĻŦেāύ। ā§Ē āϜুāύ āϤিāύি āĻĢিāύāϞ্āϝাāύ্āĻĄেāϰ āĻĒ্āϰেāϏিāĻĄেāύ্āϟেāϰ āϏāĻ™্āĻ—ে āϤাঁāϰ āϏāϰāĻ•াāϰি āĻŦাāϏāĻ­āĻŦāύে āϏৌāϜāύ্āϝ āϏাāĻ•্āώাā§Ž āĻ•āϰāĻŦেāύ। ā§­ āϜুāύ āĻĢিāύāϞ্āϝাāύ্āĻĄেāϰ āϏ্āĻĨাāύী⧟ āϏāĻŽā§Ÿ āϏāύ্āϧ্āϝা ā§Ŧāϟা ā§Šā§Ģ āĻŽিāύিāϟে āĻĢিāύāϞ্āϝাāύ্āĻĄেāϰ āĻŦিāĻŽাāύ āĻĢিāύāĻā§ŸাāϰāϝোāĻ—ে āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻĸাāĻ•াāϰ āωāĻĻ্āĻĻেāĻļে āĻšেāϞāϏিংāĻ•ি āĻŦিāĻŽাāύāĻŦāύ্āĻĻāϰ āϤ্āϝাāĻ— āĻ•āϰāĻŦেāύ।
āĻāĻ•āχ āĻĻিāύে āϤিāύি āĻĻেāĻļে āĻĢিāϰে āφāϏāĻŦেāύ āĻŦāϞে āφāĻļা āĻ•āϰা āĻšāϚ্āĻ›ে।

āϟ্āϰাāĻŽ্āĻĒ āĻ•ি āĻ•ৃāϤিāϤ্āĻŦ āĻĒাāĻŦেāύ?

āĻŽাāϰ্āĻ•িāύ āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āĻĄোāύাāϞ্āĻĄ āϟ্āϰাāĻŽ্āĻĒ।āĻŽাāϰ্āĻ•িāύ āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āĻĄোāύাāϞ্āĻĄ āϟ্āϰাāĻŽ্āĻĒ।āϚীāύāĻ•ে āĻ েāĻ•াāϤে āϟ্āϰাāĻŽ্āĻĒ āϝে āĻĒāĻĻāĻ•্āώেāĻĒ āύি⧟েāĻ›েāύ, āĻāϤে āϤাāĻ•ে āĻ•ি āĻ•ৃāϤিāϤ্āĻŦ āĻĻেāĻ“ā§Ÿা āϝা⧟? āĻŦিāĻļ্āϞেāώāĻ•েāϰা āĻŦāϞāĻ›েāύ, āϟ্āϰাāĻŽ্āĻĒেāϰ āφāĻ—েāϰ āĻĒ্āϰেāϏিāĻĄেāύ্āϟāϰা āϝা āĻĒাāϰেāύāύি, āϟ্āϰাāĻŽ্āĻĒ āϏেāϟাāχ āĻ•āϰে āĻĻেāĻ–ি⧟েāĻ›েāύ। āϚীāύāĻ•ে āĻŦāĻļে āφāύāϤে āϟুঁāϟি āϚেāĻĒে āϧāϰেāĻ›েāύ āĻĻেāĻļāϟিāϰ āĻĒ্āϰāϝুāĻ•্āϤি āĻĒ্āϰāϤিāώ্āĻ াāύ āĻšু⧟াāĻ“ā§Ÿেāϰ। āϟ্āϰাāĻŽ্āĻĒ–āϏāĻŽāϰ্āĻĨāĻ•েāϰা āĻŦāϞāĻ›েāύ, āϤাঁāϰ āύীāϤিāϤেāχ āĻŦāĻļ āĻŽাāύāĻŦে āϚীāύ। āĻŦাāĻŖিāϜ্āϝ āϚুāĻ•্āϤি āĻĨেāĻ•ে āϞাāĻ­āĻŦাāύ āĻšāĻŦে āϝুāĻ•্āϤāϰাāώ্āϟ্āϰ।
āĻĻ্āϝ āφāϟāϞাāύ্āϟিāĻ•েāϰ āĻāĻ• āĻĒ্āϰāϤিāĻŦেāĻĻāύে āĻŦāϞা āĻšā§Ÿ, āĻŽাāϰ্āĻ•িāύ āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āĻĄোāύাāϞ্āĻĄ āϟ্āϰাāĻŽ্āĻĒ āϜাāϤী⧟ āϜāϰুāϰি āĻ…āĻŦāϏ্āĻĨা āϜাāϰি āĻ•āϰে āĻŦিāĻĻেāĻļি āĻļāϤ্āϰুāĻĻেāϰ āϤৈāϰি āϝāύ্āϤ্āϰাংāĻļ āϝুāĻ•্āϤāϰাāώ্āϟ্āϰ āĻŦ্āϝāĻŦāĻšাāϰে āύিāώেāϧাāϜ্āĻžা āĻĻি⧟েāĻ›েāύ। āĻĻেāĻļāϟিāϰ āĻŦাāĻŖিāϜ্āϝ āĻŽāύ্āϤ্āϰāĻŖাāϞ⧟ āϤাঁāϰ āύিāϰ্āĻĻেāĻļ āĻ…āύুāϏāϰāĻŖ āĻ•āϰে āϚীāύেāϰ āĻĒ্āϰāϝুāĻ•্āϤি āĻĒ্āϰāϤিāώ্āĻ াāύ āĻšু⧟াāĻ“ā§ŸেāϏāĻš āĻ•ā§ŸেāĻ• āĻĄāϜāύ āĻĒ্āϰāϤিāώ্āĻ াāύāĻ•ে āĻ•াāϞো āϤাāϞিāĻ•াāĻ­ুāĻ•্āϤ āĻ•āϰেāĻ›ে। āϜাāϤী⧟ āύিāϰাāĻĒāϤ্āϤা āĻŦিāĻŦেāϚāύা⧟ āĻāϏāĻŦ āĻĒ্āϰāϤিāώ্āĻ াāύ āϝুāĻ•্āϤāϰাāώ্āϟ্āϰে āϝāύ্āϤ্āϰাংāĻļ āĻŦেāϚাāĻ•েāύা āĻ•āϰা āĻ“ āϏেāĻŦা āĻĒāϰিāϚাāϞāύা āĻ•āϰāϤে āĻĒাāϰāĻŦে āύা। āĻāϰ āĻĒ্āϰāĻ­াāĻŦ āϏুāĻĻূāϰāĻĒ্āϰāϏাāϰী।
āϟ্āϰাāĻŽ্āĻĒেāϰ āϏāĻŽāϰ্āĻĨāĻ•েāϰা āĻĒ্āϰāϚাāϰ āĻ•āϰāĻ›েāύ āϝে āĻ•েāĻŦāϞ āϟ্āϰাāĻŽ্āĻĒāχ āϚীāύেāϰ āĻ“āĻĒāϰ āĻāϤāϟা āĻ•āĻ োāϰ āĻšāϤে āĻĒাāϰেāύ āĻāĻŦং āĻĒেāϰেāĻ›েāύ। āϰোāύাāϞ্āĻĄ āϰিāĻ—্āϝাāύ āϝেāĻ­াāĻŦে āϏোāĻ­ি⧟েāϤ āχāωāύি⧟āύেāϰ āĻŦিāϰুāĻĻ্āϧে āĻ•āĻ োāϰ āĻšāϤে āĻĒেāϰেāĻ›িāϞেāύ, āϟ্āϰাāĻŽ্āĻĒāĻ•ে āĻāĻ–āύ āϤাঁāϰ āϏāĻ™্āĻ—ে āϤুāϞāύা āĻ•āϰা āĻšāϚ্āĻ›ে।
āĻŦিāĻļ্āϞেāώāĻ•েāϰা āĻŦāϞāĻ›েāύ, āϟ্āϰাāĻŽ্āĻĒ āϚীāύেāϰ āĻŦিāϰুāĻĻ্āϧে āϝে āύীāϤিāϤে āĻ…āĻ—্āϰāϏāϰ āĻšāϚ্āĻ›ে, āĻāϟাāĻ•ে āϤাঁāϰ ‘āĻŦিāϜ⧟’ āĻŦāϞা āϝা⧟।
āĻ“ā§ŸাāϞ āϏ্āϟ্āϰিāϟ āϜাāϰ্āύাāϞেāϰ āĻĒ্āϰāϤিāĻŦেāĻĻāύে āĻŦāϞা āĻšā§ŸেāĻ›ে, āϚীāύা āĻŦিāĻ­িāύ্āύ āĻĒāĻŖ্āϝেāϰ āĻŦিāϰুāĻĻ্āϧে āĻļুāϞ্āĻ•াāϰোāĻĒেāϰ āĻŦিāώ⧟āϟি āĻ…āύেāĻ• āĻĒ্āϰāϝুāĻ•্āϤি āĻĒ্āϰāϤিāώ্āĻ াāύেāϰ āĻĒ্āϰāϧাāύ āϏāĻŽāϰ্āĻĨāύ āĻ•āϰāĻ›েāύ। āĻĻীāϰ্āϘāĻĻিāύেāϰ āĻĻুāϰ্āĻĻāĻļাāϰ āĻĒāϰ āĻāĻ•ে āĻŽাāϰ্āĻ•িāύ āĻŦ্āϝāĻŦāϏাāϰ āϜāύ্āϝ āĻŦ⧜ āϏুāϝোāĻ— āĻĻেāĻ–āĻ›েāύ āϤাঁāϰা। āύিāωāĻ‡ā§Ÿāϰ্āĻ• āϟাāχāĻŽāϏāĻ“ āĻŦāϞāĻ›ে, āϚীāύেāϰ āϏāĻ™্āĻ—ে āĻĻীāϰ্āϘāĻĻিāύ āϧāϰে āϚāϞা āϚুāĻ•্āϤিāϰ āĻŦāĻšুāĻŽুāĻ–ী āĻŦ্āϝāϰ্āĻĨ āĻĒ্āϰāϚেāώ্āϟাāϰ āĻŦিāώ⧟āϟি āωāϞ্āϟে āĻĻি⧟েāĻ›েāύ āϟ্āϰাāĻŽ্āĻĒ।
āĻĒ্āϰāĻļ্āύ āωāĻ āĻ›ে, āϚীāύেāϰ āĻŦিāϰুāĻĻ্āϧে āϟ্āϰাāĻŽ্āĻĒেāϰ ‘āϜ⧟’ āĻĒূāϰ্āĻŦāϏূāϰিāĻĻেāϰ āϚে⧟ে āĻĒৃāĻĨāĻ•? āϝুāĻ•্āϤāϰাāώ্āϟ্āϰে āĻŦ্āϝāĻŦāϏাāϰ āϏāĻŦ āĻļāϰ্āϤ āĻĒূāϰāĻŖ āύা āĻ•āϰāϞেāĻ“ āϝুāĻ•্āϤāϰাāώ্āϟ্āϰেāϰ āφāĻ—েāϰ āĻ…āύেāĻ• āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āϚীāύা āĻĒ্āϰāϤিāώ্āĻ াāύāĻ—ুāϞোāĻ•ে āĻŦ্āϝāĻŦāϏাāϰ āϏুāϝোāĻ— āĻ•āϰে āĻĻি⧟েāĻ›িāϞেāύ। ⧍ā§Ļā§Ļā§Ļ āϏাāϞে āϏ্āĻŦাāĻ­াāĻŦিāĻ• āĻŦাāĻŖিāϜ্āϝ āϏāĻŽ্āĻĒāϰ্āĻ•েāϰ āĻŽāϰ্āϝাāĻĻাāĻ“ āĻĻেāĻ“ā§Ÿা āĻšā§Ÿ। āϤাঁāϰা āĻ­েāĻŦেāĻ›িāϞেāύ, āϚীāύāĻ•ে āĻŦৈāĻļ্āĻŦিāĻ• āĻ•্āϞাāĻŦেāϰ āϏāĻĻāϏ্āϝ āĻ•āϰা āĻšāϞে āϚীāύ āĻšā§ŸāϤো ‘āĻĻা⧟িāϤ্āĻŦāĻļীāϞ āĻ…ংāĻļীāĻĻাāϰ’ āĻšāĻŦে। āĻ•িāύ্āϤু āϚীāύ āϏুāϝোāĻ— āύি⧟ে āύিāϜেāϰ āĻĒāĻĨেāχ āϚāϞāĻ›ে। āϤো⧟াāĻ•্āĻ•া āĻ•āϰেāύি āĻ…āύ্āϝেāϰ āύি⧟āĻŽāύীāϤি।
āĻŦিāĻļ্āϞেāώāĻ•েāϰা āĻŦāϞāĻ›েāύ, āĻŽাāϰ্āĻ•িāύ āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āϟ্āϰাāĻŽ্āĻĒāχ āĻĒ্āϰāĻĨāĻŽ āϚীāύা āϚ্āϝাāϞেāĻž্āϜেāϰ āĻŦিāώ⧟āϟি āĻŦুāĻāϤে āĻĒেāϰেāĻ›েāύ। āĻŽাāϰ্āĻ•িāύ āύীāϤি āϤো⧟াāĻ•্āĻ•া āύা āĻ•āϰে āϚীāύেāϰ āĻŦে⧜ে āĻ“āĻ াāϰ āĻŦিāώ⧟āϟিāϤে āĻĒ্āϰāĻ•্āϰি⧟াāĻ—āϤ āϚ্āϝাāϞেāĻž্āϜ āϤৈāϰি āĻšāϚ্āĻ›ে āĻŦāϞে āĻŽāύে āĻ•āϰেāĻ›েāύ āϤিāύি। āĻ…āύ্āϝ āĻ•োāύো āϰাāϜāύীāϤিāĻŦিāĻĻ āϤা āĻŦুāĻāϤে āĻĒাāϰেāύāύি। āĻ…āĻ­িāϝোāĻ— āωāĻ েāĻ›ে āĻŽাāϰ্āĻ•িāύ āĻĒ্āϰāϤিāώ্āĻ াāύāĻ—ুāϞো āĻĨেāĻ•ে āĻŽেāϧাāϏ্āĻŦāϤ্āĻŦ āϚুāϰি āĻ•āϰāĻ›ে āϚীāύ। āϝুāĻ•্āϤāϰাāώ্āϟ্āϰেāϰ āĻĒ্āϰāϝুāĻ•্āϤি āϜোāϰ āϏ্āĻĨাāύাāύ্āϤāϰ āĻ•āϰāĻ›ে āϤাāϰা। āϰাāώ্āϟ্āϰāύি⧟āύ্āϤ্āϰিāϤ āĻ•োāĻŽ্āĻĒাāύিāĻ—ুāϞোāϰ āϏāĻŽ্āĻĒāϰ্āĻ•ে āϤāĻĨ্āϝ āĻĻিāϚ্āĻ›ে āύা। āύিāϜ āĻĻেāĻļেāϰ āĻŽুāĻĻ্āϰা āύি⧟ে āώ⧜āϝāύ্āϤ্āϰ āĻ•āϰে āĻŦাāĻŖিāϜ্āϝিāĻ• āϏুāĻŦিāϧা āύেāĻ“ā§Ÿাāϰ āĻŽāϤো āĻ•াāϜāĻ—ুāϞো āĻ•āϰāĻ›ে āĻĻেāĻļāϟি।
āĻāϰ āφāĻ—ে āĻ“āĻŦাāĻŽা āĻĒ্āϰāĻļাāϏāύ āϚীāύāĻ•ে ⧧⧝ āϜাāϤি āϟ্āϰাāύ্āϏāĻĒ্āϝাāϏিāĻĢিāĻ• āĻĒাāϰ্āϟāύাāϰāĻļিāĻĒ āϤৈāϰি āĻ•āϰে āύāϤুāύ āύি⧟āĻŽে āĻŦাঁāϧাāϰ āĻāĻ•āϟা āϚেāώ্āϟা āĻ•āϰেāĻ›িāϞ। āϤāĻŦে āĻ•োāύো āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āϚীāύেāϰ āĻŦিāϰুāĻĻ্āϧে āĻ•āĻ োāϰ āĻšāĻ“ā§Ÿাāϰ āϏাāĻšāϏ āĻĒাāύāύি। āĻ•িāύ্āϤু āϟ্āϰাāĻŽ্āĻĒ āĻĒেāϰেāĻ›েāύ। āϤাঁāϰ āĻ•ৌāĻļāϞ āĻĒ্āϰ⧟োāĻ— āĻ•āϰāϞে āϤিāύি āϏāĻĢāϞ āĻšāĻŦেāύ—āĻ āĻŦিāĻļ্āĻŦাāϏ āϤাঁāϰ āφāĻ›ে।
āϟ্āϰাāĻŽ্āĻĒেāϰ āĻŦাāĻŖিāϜ্āϝ āĻ“ āĻ‰ā§ŽāĻĒাāĻĻāύ āύীāϤিāĻŽাāϞাāĻŦিāώ⧟āĻ• āĻĒāϰিāϚাāϞāĻ• āĻĒিāϟাāϰ āύাāĻ­াāϰোāϰ āĻ­াāώ্āϝ, ‘āĻŦাāϏ্āϤāĻŦāϤা āĻšāϚ্āĻ›ে, āϝāϤāĻ•্āώāĻŖ āύা āĻĒāϰ্āϝāύ্āϤ āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āĻŦাāĻŖিāϜ্āϝ āύি⧟ে āĻ•āĻ োāϰ āĻšāύ āĻ“ āφāϞোāϚāύা āĻ•āϰাāϰ āĻŦিāώ⧟ে āĻ•āĻ োāϰ āĻĒāĻĻāĻ•্āώেāĻĒ āύা āύেāύ, āĻ“āχ āϞোāĻ•āĻ—ুāϞো āφāĻŽাāĻĻেāϰ āϏāĻ™্āĻ—ে āĻ•āĻĨা āĻŦāϞāϤে āϚা⧟ āύা। āϤাāĻĻেāϰ āĻ•āĻĨা āĻŦāϞাāϰ āĻ•োāύো āφāĻ—্āϰāĻš āύেāχ। āĻ•েāω āĻ•āĻĨা āĻŦāϞāϤে āφāϏে āύা। āĻ•াāϰāĻŖ, āϤাāϰা āϞাāĻ­āĻŦাāύ āĻšāϚ্āĻ›ে āφāϰ āφāĻŽāϰা āϞোāĻ•āϏাāύ āĻĻিāϚ্āĻ›ি।’
āϤāĻŦে āϟ্āϰাāĻŽ্āĻĒেāϰ āĻ āĻ•ৌāĻļāϞ āύি⧟ে āϏāĻŽাāϞোāϚāύাāĻ“ āĻšāϚ্āĻ›ে। āĻĢোāϰ্āĻŦāϏেāϰ āĻāĻ• āĻĒ্āϰāϤিāĻŦেāĻĻāύে āĻŦāϞা āĻšā§Ÿ, āϟ্āϰাāĻŽ্āĻĒেāϰ ‘āĻĒাāĻ—āϞাāĻŽি āĻĒāĻĻ্āϧāϤি’ āϤāĻ–āύāχ āĻ•াāϰ্āϝāĻ•āϰ āĻšāĻŦে, āϝāĻ–āύ āĻ…āĻĒāϰ āĻĒāĻ•্āώ āφāϞোāϚāύাāϰ āϟেāĻŦিāϞে āĻāϏে āϝৌāĻ•্āϤিāĻ• āĻĻাāĻŦি āĻ•āϰāĻŦে। āϤাঁāϰ āφāϚāϰāĻŖ āĻ…āύেāĻ• āĻĻেāĻļāĻ•ে āĻĻেāύāĻĻāϰāĻŦাāϰেāϰ āϟেāĻŦিāϞে āĻāύেāĻ›ে। āĻ•িāύ্āϤু āĻāϰāĻĒāϰ āϤিāύি āϝে āĻĻাāĻŦি āĻ•āϰেāĻ›েāύ, āϤা āĻŽাāϰ্āĻ•িāύ āϏ্āĻŦাāϰ্āĻĨ āϰāĻ•্āώা⧟ āĻŦ্āϝāϰ্āĻĨ āĻšā§ŸেāĻ›ে। āϤিāύি āϝেāϏāĻŦ āĻĒāĻĻ্āϧāϤি āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰāĻ›েāύ, āϤা āϤাঁāϰ āĻĒূāϰ্āĻŦāϏূāϰিāĻĻেāϰ āϤুāϞāύা⧟ āĻ…āϰ্āĻĨāύৈāϤিāĻ•āĻ­াāĻŦে āĻুঁāĻ•িāĻĒূāϰ্āĻŖ। āφāĻ—েāϰ āĻĒ্āϰেāϏিāĻĄেāύ্āϟāĻĻেāϰ āĻŽāϤো āĻŽিāϤ্āϰ āϜোāĻ—া⧜ āĻ•āϰে āĻ“ āφāύ্āϤāϰ্āϜাāϤিāĻ• āĻŦিāĻ­িāύ্āύ āϏংāϏ্āĻĨাāĻ•ে āĻ•াāϜে āϞাāĻ—াāύোāϰ āϧাāϰেāĻ•াāĻ›ে āϝাāύāύি āϤিāύি। āϤাঁāϰ āĻĒ্āϰāĻļাāϏāύিāĻ• āĻĒāĻĻ্āϧāϤিāĻ—ুāϞোāϰ āĻŽāϧ্āϝে āϰ⧟েāĻ›ে āĻļুāϞ্āĻ•াāϰোāĻĒ, āĻĻāĻ•্āώিāĻŖ āϚীāύ āϏাāĻ—āϰে āϏ্āĻŦাāϧীāύ āύেāĻ­িāĻ—েāĻļāύ, āĻ•āĻŽিāωāύিāĻ•েāĻļāύ āύেāϟāĻ“ā§Ÿাāϰ্āĻ•ে āϚীāύা āĻĒ্āϰāϤিāώ্āĻ াāύāĻ—ুāϞোāĻ•ে āφāϟāĻ•ে āĻĻেāĻ“ā§Ÿা, āϚীāύা āύাāĻ—āϰিāĻ•āĻĻেāϰ āĻ­্āϰāĻŽāĻŖ āĻ“ āĻ—āĻŦেāώāĻŖা⧟ āĻŦাāϧা āĻĻেāĻ“ā§Ÿাāϰ āĻŽāϤো āĻŦিāώ⧟।
āϟ্āϰাāĻŽ্āĻĒেāϰ āϤāϤ্āϤ্āĻŦ āĻšāϚ্āĻ›ে, āĻŽাāϰ্āĻ•িāύ āĻŽāϜāĻŦুāϤ āĻ…āϰ্āĻĨāύীāϤি āϚীāύāĻ•ে āĻŽাāĻĨা āύো⧟াāϤে āĻŦাāϧ্āϝ āĻ•āϰāĻŦে। āϤাঁāϰ āĻĒāĻĻ্āϧāϤি āĻ•াāϜে āϞাāĻ—āϤে āĻļুāϰু āĻ•āϰেāĻ›ে। āϤিāύি āϟুāχāϟ āĻ•āϰেāĻ›েāύ, ‘āϤাāϰা āĻšাāϰāĻ›ে āĻāĻŦং āĻšাāϰāĻŦে।’